Hollywood (1942)

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:: p Irthur ~\luirity Dtiiuers Say "jfctivt Tfomtn T^eed 7bese Jclieii QirAlts" v% \eelf,Kwi,h , I Knit I? , * ^fect fit of l r.r.M ^ miracle of comfort andean^ „,„„, Lastex pefm//w ^ ^ Wontrollor-^et/p.GoQ^ non-run. "We* comp/ete/y ^ ^ay stretch Pomyg^^ Other sty/es to $5.00 The columnists1 and press agents' despair is Don Ameche, who lives a normal, sane life in the midst of the Hollywood turmoil. This versatile star doesn't even have a complaint lo make thinks the movies have treated him swell. Be's appearing in 20th Century-Fox's Ctrl Trouble "I've IWo € omplaints" —■Bon Ameche By CONNIE CURTIS ■ Life, according to Don Ameche, has always pulled out an easy chair for him! Mistreated? It's a word in the dictionary to him, even though there are fans and friends who have consistently maintained that Don Ameche's many talents have not been given just recognition. He is equally at home in comedy and drama and musicals. Let a producer hit a snag in casting and he begins dreaming that Don Ameche is under contract to him. The man-in-a-pinch — that's Ameche. And, as is usual with such dependables, he goes along calmly and without fanfare. The press tears its collective hair in an effort to find an idiosyncrasy, a bit of unplumbed mood on which to build an item. But he doesn't go off on those temperament tangents or emotional benders which make good newspaper copy. ''Heck," they all say, "what's there to write about a man who is a good husband and father; who goes along, day after day and year after year quite normally and does what's expected of him. He is a lot more stable than the average person." But there are some things to be written. Curiously enough, Don is chiefly labeled as an interpreter of historical figures. Yet, he has played in only two such pictures, one based on the life of Alexander Graham Bell, and the other on Stephen Foster. And Giri Trouble, which is his latest, will bring Don's total of pictures to twentyeight. As far as the children of America are concerned, Don Ameche invented the telephone. Innumerable Johnnies and Susans have said so in their examination papers. The comedians of the air have played their part in confirming the national suspicion that it is Mr. Ameche, and not Mr. Bell, who is responsible for the great American privacy-disturber. The picture offered such a rich source for quips that for weeks on end you couldn't turn a dial without hearing a reference to Don Ameche Bell. It doesn't take much to start an actor — or anyone else for that matter — on a discussion of his grievances. But Don looks blank if you ask for a list of his complaints. "Everyone's been good to me," he insists. And he means it. "I've had good pictures. They have been varied in character and appeal. I've never been labeled as a certain-part actor, I haven't been typed to the point where I have been limited in my assignments. "After all, my job is to entertain and divert. Twenty years from now, if people 'Send 10c in coin or stamps for Arthur Murray Dance Boot.