Hollywood (1942)

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NCW under -arm Cream Deodorant safely Stops Perspiration 1. Does noc harm dresses, or men's shirts. Docs not irritate skin. 2. No waiting to dry. Can be used righc after shaving. 3. Instantly checks perspiration f. r 1 to 3 days. Removes odor from perspiration, keeps armpits dry. 4. A pure white, grcaseless, stainless vanishing cream. 5. Arrid has been awarded the Approval Sl.i1 of the American lnstiture of Laundering, for being harmless to fabrics. ARRID 39^ a jar (Alio in 10c and 59c jar,) Buy a jar of ARRID today at any store which sells toilet goods. No Longer Off Key / / IsdQfr ON HER DIFFICULT DAYS CHICHESTERS PILLS have given chousands of women trustworthy relief from periodic pain, cramps and discomfort. Try CHICHESTERS. Note — take as directed. Contain no narcotics nor habit-forming drugs. At all good drug stores. 5off and up. of Bill Honry II v 4 II Alt LOT I i; KAYE ■ This might well be called The Strange Case of Bill Henry or Why Isn't He a Star Today? Bill is a personal friend, which made it doubly tough to tackle the true story. I've played poker with him, knitted sweaters for his young son, Mike, and helped his wife, Grace, with the dishes after dinner. You hesitate to barge up to that kind of a pal and blurt: "Look, chum, you've been kicking around this business for ten years and nothing happens. You know and I know you've got what it takes, so what's wrong? Why aren't you at the top of the heap where you belong?" You may wonder those things privately, but you keep your mouth shut because, aside from transgressing the bounds of friendship, it's asking for a well-deserved poke in the nose. Yet eventually I asked the question as bluntly as that, trusting Bill to understand. I did it because thousands of his still loyal fans are equally puzzled by the riddle and clamor insistently for an answer. I got the answer as Bill sees it. with no stalling or evasion of unpleasant facts. Likewise, I got the encouraging notion there are going to be some important changes in the life and career of Bill Henry. He has his sleeves rolled up, ready to lick the thing which has held him back. First, though, let's take a look at the scoreboard. There is not a studio head, not a producer, not a director in Hollywood but will readily admit Bill is a darned fine actor, worthy of his hire and more than competent to perform anything demanded of him. He is young, 27, and extremely good-looking in a clean-cut American way. He has deep blue eyes, a clear fine skin, good features and a shock of dark blond hair. He is well-built with broad shoulders and slim hips. He has an abundance of that most necessary quality — a potent appeal to women. And he has ten solid years of experience on which to draw, seven of them under contract to 20th, Metro and Paramount, and three served in the freelance field. Youth, good looks, appeal, ability and experience. Of such stuff is stardom fashioned, and all these he has. Why, then, was he marking time with wishy-washy roles of half-baked youngsters like the youthful sweetheart in Gentleman After Bill Henry has been praying for a chance to -ink his histrionic teeth into a meaty role, but his youthful appearance and unassuming manner have long stymied his progress. He's in the Warner Brothers' film, The Adventures of Mark Twain Dark, when an Alan Ladd, unknown and untried, was given a powerful part which zoomed him to stardom overnight in This Gun for Hire? "It was my face," Bill said ruefully. "It wouldn't grow up!" He was right. By some strange alchemy, Bill's face refused to age in keeping with his years. Although he was a mature man and behaved like one, he looked like a 20-year-old kid without a care in the world. Even the nerve-wracking business of making movies and the strain of cutthroat Hollywood competition failed to touch the fresh bloom of youth upon him. On a glamour gal that looks good, and many a damsel in her late twenties would give an eyetooth for such a miracle. But on Bill it was a curse, because meaty roles which give an actor a chance to shine as Ladd did in This Gun for Hire are not dished out to juveniles. Juveniles are the drawing-room counterpart of the gents who say "They went that-a-way, pardner" in horse operas; they motivate the action of the plot as a rule but they seldom 50