Hollywood (Jan - Mar 1943)

EXCITING NEW 'MAKE -UP" BRINGS to Any Shade of Hair! Don't waste time envying the woman whose hair is lovely and glamorous. With just a little time— right at home — you can bring your own hair "to life". ..make it sparkle with radiant light and youthful color ! It's all so easy, too, with Marchand's exciting new "Make-Up" Hair Rinse! After your shampoo, dissolve the delicately tinted Rinse in warm water and brush it through your hair. Then ... prepare for a surprise! All trace of soap-film has disappeared. Your hair is tlirillingly alive — color-bright again! So safe ! . . . Can't harm your hair ! Marchand's "Make-Up" Rinse is not a bleach! Not a permanent dye! It goes on and washes off as easily as your facial make-up. Made with Government-approved colors, Marchand's Rinse is as safe to use as lemon or vinegar. And it does so much more for your hair. Marchand's "Make-Up" Rinse comes in 12 different tints for every color hair. Many stunning effects can be had by employing a "warmer" or "cooler" tint than the shade which matches your hair . . . Try it today ! Marchand's "gafa'%/ HAIRMSE 6 Rinses -25c 2 Rinses-lOc At all Drug Counters MADE BY THE MAKERS OF GOLDEN HAIR WASH Copyright 1943 by Chas. Marehand Co. Send No Money Now — We Trust You. Send Name and Address. Ladies! Girls! Lovely Watches, other premiums or Cash Given— GIVE AWAY PICTURES with White CLOVERINE Brand SALVE for chaps and mild burns sold to friends at 25c a box (with Picture included) and remit amounts per plans in catalog. 47th year. We are reliable. Be First. Write for starting order Salve. Pictures, and Catalog, sent on trust, postage paid by us. WILSON CHEM. CO., INC., Dent. 50-23, TYRONE, PA. 44 Little It was the concert stage for Diana Lynn — until Paramount spotted her and she was typed for little sister roles. She's in The Miracle of Morgan's Creek by JOHN FRANCHEY ■ For something like eight years little Diana Lynn, her heart set on becoming a great concert pianist, put in six hours a day at the keyboard, practicing like mad. In spite of the fact that she can play a Beethoven sonata just about as handsomely as Jose Iturbi, all Paramount wants out of Diana — for the time being, at least — is to go right on being her own particular brand of little sister, hep-to-life and mildly cynical, the kind of a little sister she was to Rita Johnson in The Major and the Minor and the kind she will be to Betty Hutton in The Miracle of Morgan's Creek. Ironically enough, it was those 16,000 hours of practicing like mad that got Diana into pictures four years ago, when she was 13 and answered to the name of Dolly Loehr. Paramount was getting ready to film There's Magic in Music, a picture glorifying the summer camp project for juvenile musicians held at Interlochen, Michigan. The first thing they did, naturally, was to audition every child musician in sight in order to recruit a crack symphony orchestra. Next they cast about for a knee-pants Kreisler for a hot solo spot. The word was passed along and the junior fiddlers descended on the studio in brigades, convoyed by their accompanists. One of the young accompanists, a junior miss who seemed quite bored with it all, showed up fifteen minutes late, did her piece, and yawned. "Would you mind playing a solo on the piano before you go?" the musical direc tor asked her. Nonchalantly the youngster reeled off the fiery, extremely difficult "Revolutionary Etude" by Chopin, with the air of a tyke who could do it again with one hand tied behind her back. Then, without so much as a by-yourleave, she gathered up her music, sighed, and followed the lackadaisical fiddler out the door, ready to forget the whole episode. Diana Lynn probably would have forgotten it if she hadn't received a telephone call some four weeks later from the same now-harried musical director. Did she know the Grieg Concerto? She did. Would she mind practicing it on the off-chance that they might find a spot for her in the picture? Not at all. When her mother, a teacher of piano, learned of her offspring's rash promise, she was flabbergasted. "The Grieg Concerto is for grown-ups," she said sternly. "Exclusively, Mother?" inquired Diana. She tackled Grieg with both hands and feet. Ten days later, ' when the musical director called to ask when she'd be ready to face the sound camera, she bowled him over by announcing, "I'm ready right now." Ready is right. She gave Grieg such a terrific going over that the scripters were promptly instructed to build up her part. She did so handsomely by it, that Paramount, without even the remotest idea as to when another picture would come along calling for a doe-eyed pianist, put her under contract. Two years of playing Santa Claus