Hollywood (Jan - Mar 1943)

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The makers of Unguentine offer a nationally recognized product— Unguentine Rectal Conesfor relief of itching, burning and soreness of simple piles or hemorrhoids. Millions of Unguentine Rectal Cones have been sold . . . because they help bring quick relief. . . help guard against infection . . . and promote healing. Try them — and if you do not get prompt relief, consult your physician. Guarantee: Your druggist will refund your full purchase price if you are not satisfied. UNGUENTINE RECTAL CONES,. ♦Ret?. U. S. PAL Ott. By the Makers of Unguentine UNITED STATES BONDS; STAMPS j Your Hospital and Doctor Bills i<y 3 A DAY HOSPITALIZATION PLAN SICKNESS or ACCIDENT Injure NOW, before it'j loo lote! Protect your savings against Hospital expense. Here's on amazing offer of safe, dependable coverage under America's most popular Hospitalization Plan. Family or individual eligible. When sickness or accident strikes, you may go to any Hospital in U S or Canoda under any Doctor's core. YOUR EXPENSES WILL BE PAID exactly as Policy specifies. WAR coverage included. The Company is under supervision of the Insurance Dept. No agent will call. MAIL COUPON AT ONCE NORTH AMERICAN MUTUAL INSURANCE CO. Oept. FW35-3, Wilmington, Del. Please send me, without obligation, details about your "3c A Day Hospitalization Insurance Plan". Nome — -- Addrtis City— Stale The Gentleman ee By EDWARD MARTIN lo A well-limed "no" lifted Allan Jones' career out of the doldrums and set it on a firm foundation. He's in Universale When Johnn i e Comes Marching Home 1 Allan Jones explodes the long accepted theory that only yes-men can survive in Hollywood. Of course, it's a good idea to be easy to get along with in Hollywood. Or Podunk, for that matter. Every newcomer to movie town is cautioned that producers have an acute resistance to individualists. From the very beginning Allan was an affable gent. He was cast in every limping lulu that came along and his career certainly didn't profit by them. Today he regrets that he wasn't a table-pounder by nature. It took him several years before he acquired the technique. "I have always been a good listener and I have been easy to convince," he points out. "A lot of times I've agreed to play a role which I knew, instinctively, was wrong for me. "It's a terrific handicap to do a role on which you aren't sold. Resentment builds up in you to the point where you walk through the picture. It isn't right, of course, to compromise with your convictions for the sake of peace. Whenever I've done it, I've been sorry, and the sum total of my efforts hasn't been satisfactory. "One of the nagging worries which every player has to face is the possibility of misjudging the value of a role. Clark Gable, for example, was unhappy about his assignment in It Happened One Night. He was forced to do it, and it turned out to be an Academy Award winner. There wasn't an actress in Hollywood who wanted the role of the girl in Of Human Bondage. It made an authentic star out of Bette Davis. These are the historical fragments which keep a player in line. "Once," Allan recalls, "I went off salary in preference to doing a certain role. After about a week of solid stewing, I agreed to do it. "Well, I played the role, and that's one of the recurrent nightmares I have. It was so bad that to this day I am still avoiding the people who've seen it. But it is difficult at times to stick by your guns. "I believe that one of the reasons a lot of people don't get ahead is their fear of making mistakes. I know that's been my trouble in the past. "But I have acquired a new attitude toward mistakes. I say — 'Make them' — experience is still the best teacher. "I've made a couple — and they've been the ones to teach me when to say 'yes' and when to stick to an uncompromising 'no.' "For example, a year or so ago I was approached with the proposition of putting up an apartment building. Now, I had as much right to go into the building business as I had being a tight-rope walker. "But that little deal certainly taught me something. It taught me that I was a singer — that my business was singing and not building. Before I was through with that project, [Continued on page 65] 56