We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
together in one scene things which would otherwise not be seen together.
The story potential of these two techniques are pretty obvious. An actor can play the part of twin actors, one machine may be shown performing two operations, and so on. Just consider the way this can work for you, then try it on your own.
WHAT CAMERA?
• Continued from Page 69
fessional. For the more serious worker and for the professional cameraman, other types of cameras are to be recommended. He may want a camera with a three or four lens turret, a variable shutter, through-the-lens focusing, 200 or 400-foot loads, motor drive, and other features. In this group we will find many top quality cameras, and I will attempt to describe them, their particular features and practicability.
The Cine-Kodak Special was the first camera to enter the 16mm commercial field, possessing features that make it a flexible tool in the hands of a professional photographer. It is widely used by producers of industrial, educational, church, travel and television films, government agencies and colleges. It was the first 16mm camera to incorporate the adjustable shutter, which may be changed from open to closed, or vice versa, while the camera is running — essential to succesful fades and lap dissolves — or it may be operated at "1/4 open' or "l/£> open" positions. When the shutter is closed, it permits winding the film back for trick effects, such as double or multiple exposures. This camera also comes equipped with a reflex finder. Located behind the taking lens, this finder provides visual focusing and shows on a ground glass the exact field covered by any taking lens with which the camera can be fitted. It has interchangeable film chambers of 100-foot or 200-foot capacity, double lens turret, single frame release, a masking device for split-screen effects and other features. Several independent manufacturers will supply added features, such as 400-foot magazines, synchronous motors, reflex finder magnifiers, four-lens turrets, automatic faders, matte boxes, sound blimps, etc.
The Swiss-made Bolex is one of the most popular cameras in use today, being sold in nearly every country in the world. Precision-made and practical, it has become the favorite with many professional cameramen ■ — including myself — for shooting sports, travel, news and other action pictures. Being a small type hand-camera it comes in extremely handy when a professional cameraman for various reasons might want to look like an average amateur at work, for instance when
siiv,ui.,ig street scenes where a big camera would obviously draw too much attention. Ease and speed of operation is most important to the movie maker so that he can concentrate on his action. This camera has those qualifications — three-lens turret, automatic threading, quick change multifield finder, lightweight, and parralax correction down to 20 inches. The precision-made shutter gives you a good and sharp image for blow-ups. Many useful accessories can be bought, like the Stevens' 6-volt camera drive, which couples directly into the 8-frame handcrank shaft, the behind-the-lens filter slide, the rack-over, Steareo-attachment and the Pellegrini variable shutter.
Bell & Howell has a complete range of motion picture cameras to suit the needs of either the amateur enthusiast or the exacting professional. Their "Filmo" model 70-DE comes equipped with a three-lens turret ■ — focus directly through lens — and seven speeds. Viewfinder turret mounts three lensmatching objectives, incorporates parallax connecting adjustment and focusing eyepiece. Model 70-S is the superspeed model with a special spring motor drive and film transport mechanism for operation at five times normal sound-speed — 128 frames per second.. A very useful camera where extreme slow motion is required.
• See WHAT CAMERA? on Page 82
^jpuWi SYLVAN I A SUPERFLOOD LAMPS
Whether you prefer shooting with standard flood or reflector flood lamps, Sylvania Superflood Lamps give you the bright, even light you need for sharp, clear movies. If you already own reflectors, Standard Sylvania Superflood Lamps come in three practical sizes— 250, 500 and 1000 watts.
Sylvania Reflector Superflood Lamps have sealedin reflectors that are safe from dirt and tarnish. They give a greatly improved distribution of light without hot spots or over-bright rings.
The R-32, 3200° K., is a long-life lamp (15 hours) which gives a warm rendition of skin tones with Kodachrome. The R-34, 3400° K., is a highbrightness lamp exactly balanced to indoor type color film.
And for indoor shooting with daylight color film, try Sylvania Blue Superflood Lamps. They are color-balanced to match daylight-type color film and give you the radiant light so important with color.
-^^M^SYIVANIA PROJECTION LAMPS
Sylvania Projection Lamps give brighter, more life-like screenings of your favorite slides and movies, because their filaments are scientifically-coiled to assure a more solid mass of light. Sylvania shock-absorbers protect the longer filaments of the larger lamps from projector vibration. There is a complete line of Sylvania Projection Lamps, ranging from 100 to 1000 watts, for all popular projectors.
LIGHTING RADIO ELECTRONICS TELEVISION
SYLVANIA
In Canada: Sylvania Electric (Canada) Ltd. University Tower Bldg. St. Catherine St. Montreal P. Q.
Sylvania Electric Products Inc.
1740 Broadway, New York 19, N. Y.
81