How to Write Photo-Plays (1915)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

84 HOW TO WRITE PHOTO PLAYS brings in the money, though it cannot do so without the editorial department's product — the news. DO YOU KNOW? Do you know that no matter how many years you would work on a plot, it would never be anywhere near complete ? This may sound like a needless statement to some, but we believe that there are many amateurs in the game today who firmly believe that there is a certain mental rule which they must acquire somewhere which will enable them to mechanically turn out plots which are measured and tied up in neat packages of the same dimensions, and which are complete and unchangeable in every detail. Writers laboring under this impression are handicapped. They may have a scenario which is perfectly balanced dramatically and artistically, and still feel that it is not worthy of submission because they have not yet acquired the "something" which will enable them to write salable scripts. This feeling in writers certainly is not as common as the one which prompts them to believe that all they write will sell, despite the shortage of brain work in some of it, but it is equally as fatal to success, and should be overcome. It is very true that an amateur is more likely to underdevelop the idea which he gets because of the lack of experience, but there is no reason why he should not carefully study the screen and apply his studies to his own script, thereby getting a fair idea of how well he has