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HOW TO WRITE PHOTO PLAYS 95
script he had on hand so that all leaders appeared in this way, will doubtless find some trouble in finding c market for his product.
It is not because it is not 1 good scheme, or because no company but Lubin are at liberty to use leaders in this way that it would be rejected, but because it h^s not been accepted as standard technique, and is rather expensive '§o handle. What is wanted from the outside writer is new ideas for plots. The writers and directors in the studios are in better position to supply new ideas o7i technique, for they know the exact policy of their company and also just what material is available.
It is well for the person not in close touch with some single company for which he writes most of his scenarios to use accepted technique, except ii special cases where nothing else seems available. Then it is permissible to wonder off the main path, but his script is subject to change at the hands of the man who produces it. We think the best thing for a beginner to do is to throw open the throttle when searching for new plot ideas and to apply the brakes when it comes to "playing horse" with technique.
TRAINING.
Of course we all know that training is necessary, no matter what we try to do, and that the more pretentious our task is, the harder we will have to work to prepare ourselves to equal it.
Now, while many writers know this, not all of them fully appreciate its application to themselves. A scenario