In the District Court of the United States, for the Eastern District of Pennsylvania, the United States of America, petitioner, vs. Motion Picture Patents Company, et al., defendants (1913)

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H. N. Marvin, Direct Examination. 1283 the discussion which followed the arrival of that committee? A. Well, I participated in that discussion. I don't remember very distinctly the details of it, but the burden of it was that this committee objected to some of the conditions of the exchange license agreement as submitted to them, and tried to induce modifications of some of these provisions, but it was not decided to modify the license agreement in accordance with their wishes. Q. Were you an officer of the Patents Company at that time? A. Yes, I was Vice-President at that time. Q. And who was President? A. Mr. Dyer. Q. On the occasion of this committee's coming to the office of the Patents Company, did you hear Mr. Dyer state to any member of the committee or to the committee generally, that the fourteen-day clause of the rental exchange license agreement would not be enforced? A. I did not. Q. Was any such statement made in your hearing by anyone? A. No such statement was made in my hearing by anyone. Q. At the time the Motion Picture Patents Company licensed the producers of motion pictures, did the company license practically all of the producers in the United States? A. Yes. The Patents Company licensed all of the producers of motion picture dramas, who were at that time producing anything to speak of. Q. What was the purpose, Mr. Marvin, in keeping the title of motion pictures in the producers? A. Well, these motion picture strips or records were records of dramas produced by these licensed producers. Now, the entire reputation of these producers among the public, and ultimately the popularity of their subjects, and their revenues from them, depended not merely upon the original merit of the dramatic production as photographed, but also to a very large degree upon the perfection of the representation, and the popularity of the art as a whole depended upon the general excellence of these motion picture exhibitions. Now, these motion picture films are fragile affairs, not durable, and when they became worn, scratched and mutilated, they were incapable of giving satisfactory presentation of the dramas. One of the most serious defects to which the motion picture film record is subject is mutilation by loss of some portions of it. It frequently happens