International photographer (Jan-Dec 1934)
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Twenty
T h
INTERNATIONAL PHOTOGRAPHER
January, 1934
THE SALISBURY RIOTS
By John Beecroft
ARRY TUGANDER can come through revolutions dodging successfully machine gun bullets. He can even get away with President's "Pal," as he did President Grau San Martin when he was down with Hugo Johnson covering the last Cuban revolt. He can shoot communist mobs in Union Square and at miners' strikes and not get clubbed — but let him cross the Mason and Dixon Line into the sunny South and he gets into trouble.
On one Southern trip, a few years ago, he had been covering football practice at the Naval Academy, when, on his way back, the car he was riding in overturned and Tugander was thrown into a ditch. He was badly injured and spent several weeks in a hospital at Washington. President Hoover was distressed when he was informed of Tugander's accident and sent him flowers with the sincere hope of seeing him and his camera back on the firing line soon. Harry remembers that accident for Hoover's solicitude and for the many kindnesses shown him by other Washington officials.
His most recent escapade in the South almost ended in his being strung up on a lamp post. Tugander was
pleasantly and happily covering the President, Congressmen and Senators and events at Washington when the New York office got word there was trouble down in Salisbury, Maryland. The authorities in Salisbury had arrested four men who were accused of leading a lynching there. Mobs of men had poured into the town from the surrounding country and were trying to take the
Hoisting Harry Tugander's sound truck from the river where a mob had thrown it.
26-A
PROJECTION
35 mm. FILM
EFFECT OF VARIOUS MAGNIFICATIONS ON THE BRIGHTNESS OF THE PROJECTED PICTURE
Size
of Picture
On Screen
In Feet
Screen
Magnification
In
Diamefers
Relative Brightness of Screen Image
at Various Magnifications
Relative Light
Required
at Various
Magnifications
for Constant
Screen Brightness
Horizontal Projection
Light Constant
2.91 by 4
58.2
1180
8.5
3.64 by 5
72.7
7i,ii
1 i J
4.36 by 6
S7.2
530
19
5.09 by 7
101.8
385
26
5.82 by 8
116.4
295
34
6.55 by 9
130.9
233
43
7.27 by 10
145.4
189
53
8.00 by 11
159.9
156
64
8.73 by 12
174.5
132
76
9.45 by 13
189.1
112
89
10.18 by 14
203.6
96
104
10.90 by 15
218.1
84
119
11.64 by 16
232.7
74
136
12.36 by 17
247.3
65
155
13.09 by 18
261.8
58
172
13.82 by 19
276.4
52
192
14.55 by 20
290.9
47
213
16.00 by 22
320.0
39
257
17.46 by 24
349.1
33
304
18.91 by 26
378.2
28
358
20.36 by 28
407.3
24
417
21.82 by 30
436.4
21
478
23.27 by 32
465.4
18.4
545
24.73 by 34
I'M S
16.3
613
26.18 by 36
523.6
14.6
688
27.64 by 38
552.7
13.1
765
29.09 by 40
ssl.s
11.8
850
12-F
TIME CONVERTED TO FEET OF FILM 35 mm. FILM
RUNNING TIME IN MINUTES AND SECONDS CONVERTED INTO FEET OF FILM EXPOSED
C
o u
G)
10
FEET OF FILM EXPOSED
0
Min.
1 Min.
2 Min.
3
Min.
4
Min.
5
Min.
6
Min.
7
Min.
8
Min.
9
Min.
10
Min.
0 | 0 | 90 | 180
270
360
450
540
630
720
810 | 900
2 | 3 | 93 | 183
273
363
453
543
633
723
813 | 903
4 | 6 | 96 | 186
276
366
456
546
636
726
816
906
6 | 9 | 99 | 189
27 9
369
459
549
639
729
819
909
8 j 12 | 102 | 192
282
372
462
552
642
732
822
912
10 | 15 | 105 | 195
285
375
465
555
645
735
825
915
12 | 18 | 108 | 198
288
3 7X
468
558
648
738
828
918
14 | 21 | 111 | 201
291
381
471
561
651
741
831
921
16 | 24 | 114 | 204
294
384
474
564
654
744
834
924
18 | 27 | 117 | 207
297
387
477
567
657
747
837
927
>i) | 30 | 120 | 210
300
390
480
570
660
750
840
930
12 | ii | 123 | 213
303
393
483
573
663
753
843
93J
24 | 36 | 126 | 216
306
396
486
576
,,1,1!
756
846
',;,,
26 | 39 | 129 | 219
309
399
489
579
669
759
849
939
28 | 42 | 132 | 222
312
402
492
582
672
762
852
942
iO | 45 | 135 | 225
315
405
495
585
675
765
855
945
32 | 48 | 138 | 228
| 318
| 408
498
588
678
768
8 5,x
948
J4 | 51 | 141 | 231
| 321
| 411
501
591
681
771
861
951
■ 6 | 54 | 144 | 234
324
414
504
594
684
774
864
954
.8 | 57 | 147 | 237
| 327
| 417
507
597
687
777
867
957
tO | 60 | 150 | 240
330
420
510
600
690
780
870
960
12 | 63 | 153 | 243
| Hi
| 423
513
603
693
783
873
963
+4 | 66 | 156 | 246
| 336
| 426
516
606
696
786
876
966
46 | 69 | 159 | 249
339
429
519
609
699
789
879
•>,,'!
48 | 72 | 162 | 252
| 342
| 432
522
612
702
792
882
972
50 | 75 | 165 | 255
| 345
| 435
| 525
615
705
795
885
975
52 | 78 | 168 | 258
| 348
| 438
528
618
708
798
888
978
54 | 81 | 171 | 261
| 351
| 441
| 531
| 621
711
801 | 891 | 981
56 | 84 | 174 | 264
| 354
| 444
| 534
| 624
714
804 | 894 | 984
58 | 87 | 177 | 267
| 357
| 447
| 537
| 627
| 717 | 807 | 897 | 987
8ased on Standard Projection Aperture .600 by .825 of an inch.
Based on standard talking picture speed of 90 feet per minute.