International photographer (Jan-Dec 1934)

Twenty-four The INTERNATIONAL PHOTOGRAPHER February, 1934 A REVOLUTIONARY ADVANCEMENT NUCHROMATIC i-UP The Perfect Make-Up for the Screen A few reasons why DeLong Nuchromatic Make-Up is so superior to old style grease paints. 1. Does not contain grease, tallow, lard or other penetrating animal fats, analine dyes, or other injurious substances. 2. It is not absorbed or does not penetrate into the skin and therefore will not cause any irritations or unpleasant skin conditions. 3. Has a very smooth and fine consistency which covers three times the area and is easier and more quickly applied and removed. 4. Does not stimulate sebaceous or sweat glands and has no chemical reaction with skin secretions. 5. Does not crack or fade under incandescent or sunlight and therefore does not necessitate frequent touching up. 6. More neutral colors permit the use of a lighter and more natural make-up. COMPOUNDED OF THE FINEST AND PUREST INGREDIENTS For information Call CL. 8140 Make-Up (/ Studio 5533 Sunset Boulevard (near Western) Complete Professional Make-up Service ASSIGNMENTS (Continued from Page 17 of the Cameragram) Clyde De Vinna and Dewey Wagner, "Tarzan and His Mate," Metro-Goldwyn-Mayer. Ray June, "Rip Tide," Metro-Goldwyn-Mayer. Oliver Marsh, "Sadie McKee," Metro-GoldwynMayer. Gregg Toland, "In Old Louisiana," MetroGoldwyn-Mayer. Gus Peterson, untitled, Metropolitan. Archie Stout, "Numbers of Monte Carlo," Monogram-Carr. Gill Warrenton, "The Loud Speaker," Monogram-Carr. Archie Stout, "The Curse of Kali," MonogramCarr. Ben Reynolds, "Come on Marines," Paramount. Charles Lang, "We're Not Dressing," Paramount. Henry Fishbeck, "The Trumpet Blows," Paramount. Henry Sharp, "Melody in Spring," Paramount. Hal McAlpin, "Man Who Broke His Heart," Paramount. Al Gilks, "You're Telling Me," Paramount. Hap DePew, untitled, RKO Pathe. Harry Newmann, "Take the Stand," RKO Pathe. J. Roy Hunt, "Finishing School," RKO Pathe. Lucien Andriot, "Crime Doctor," RKO Radio. Art Lloyd, untitled, Hal Roach. M. A. Anderson, "Birds of a Feather," Mack Sennett. Jack Stevens, untitled, Universal. Charles Stumar, "Countess of Monte Cristo," Universal. George Barnes, "Hit Me Again," Warner-First National. Sid Hickox, "Hot Air," Warner-First National. Byron Haskins, "Fur Coats," Warner-First National. Ernest Haller, "The Key," Warner-First National. Tony Gaudio, "The Gentleman From S'an Francisco," Warner-First National. Dwight Warren, "Frolics of Youth," Educational. Joe August, "Sisters Under the Skin," Columbia. John Stumar, "Storm at Midnight," Columbia. Palmer & O'Connell, "Fox Follies," Fox. Art Miller, "Bottoms Up," Fox. John Seitz, "All Men Are Enemies," Fox. Bob Planck, "Masquerade," Fox. Joe Valentine, "Three on a Honeymoon," Fox. Barney McGill, "Murder in Trinidad," Fox. THE TIME IS SHORT Better Order Your Cinematographer's Book of Tables Right Away! DE LONG NUCHROMATIC MAKE-UP The De Long Laboratories, Ltd., 5533 Sunset Boule touching up the make-up. The reason is that there are vard, have announced their NUCHROMATIC MAKE no ingredients which will penetrate sufficiently into the UP for motion pictures. This development has been pores of the skin to produce any stimulation of the sweat achieved after many years research with the assistance or sebaceous gland which results in perspiration. This of some of our local cameramen, who have reported re perspiration or constant sweating brings to the surface markable photographic success. of the skin a secretion which acts as a solvent of the The make-up is a departure from the ordinary grease grease paint and in the places where it is added there paint in that there are no penetrating greases used is the possibility of overlapping, which cannot be seen which means that the make-up does not penetrate into by the naked eye but which is apparent to the film. Not the outer layers of the skin or into the pores, but re only has De Long eliminated this condition, but they mains on the surface without absorption. There are no have succeeded in producing a make-up of very fine conmineral pigments or analine dyes used in the coloring, sistency, requiring very little rubbing in to impart a so that with the certified colors used the color shade is smooth, velvety texture to the skin. always constant and cannot fade under the exposure to Due to the high red sensitiveness of Panchromatic extreme incandescent lights or under the natural sun film any make-up containing too much red must be used rays. in relatively dark shades to obtain a satisfactory photo This feature is very essential to constancy in photo graphic result. With the De Long Nuchromatic Makegraphic results. up comparatively little red coloring is used and the result In addition to the elimination of the trouble of color is a more neutral blend enabling a lighter and more variation they have solved the problem of constantly natural looking make-up to be used. Please mention The International Photographer when corresponding with advertisers.