International photographer (Jan-Dec 1934)

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JtACQMAM As a Body of Citizenry the Cameramen of the Motion Picture Industry Bow to None in Point of Civic Usefulness; Also They Have No Police Record. DM THE CAMERAMAN'S ANGLE No. 5 i MAKING rour barn-yard lot. n Sue, Hair-lipped Tim la', too, nwe got a dandy zoo. ttam-ry is a beaut; I'm when to shoot, amile, and Mary Pick 'ell'm what to do. :' d'rector tell'm how; ' cture's sure a wow. sove got a orchestray, n i' ban' b'gins to play. elth' world they are. h th' leadin' star, aisome th' "Big P'rade," coit th' awful fuss they spine, an' told'm where TVAS THAT! Hot a crust, — s either that or bust. HICORYDON HILL. U. LAB. OPENS A Hunter, Superintendent of photography at ■Bal Studios, recently interviewed five hunfl len and women in search of employment ioug an announcement that the Universal ")r >ry would again open its doors. ■ the aid of his assistant Claude Baldridge, h ^dividual applicant was interviewed persondetermine his experience in this type of ■k Out of the five hundred applicants, Mr. I ^elected fifty; the majority of these were 1 iployees and were given first consider iijHunter expects to double the personnel of lartment within the next few weeks. This arge his staff to one hundred and fifteen M d women. ling the interviews we had men from every ■■' apply for work in the laboratory," Mr. I said. "It is impossible for me to employ V who have not had experience in this line. irk is very scientific and a man of knowl science is demanded to do the class of ■ me in a studio laboratory." Foi former employees of this department have ■n ,tmed as heads of departments. William '«. i ad chemist; Fred Feichter, chief electrical H ; V. E. Osborne, head timer, and Wilson "Y, ead negative developer. 'YGfapan, to select a number of independent j' release in Nippon. Mr., anaka, an old friend of Mr. Powers, built hi sound studio in Japan and was for sev 1 >' s chief newsreeler there for the Fox Com >'• fe also imported the first sound truck into UNIVERSAL "CITY PARK." A Chesterfield production. Screenplay by Karl Brown; director, Richard Thorpe; assistant, Melville Shyer; first cameraman, Andy Anderson; assistant, M. Santacrose; stills, Joseph Harris; recording engineer, L. E. Clark; assistant, F. Redd; film editor, Fred Perry; art director, Edward Jewell; chief electrician, Warren Munroe; chief grip, George Robertson; chief prop, Robert Murdock. Cast: Sally Blane, Henry B. Walthall, Hale Hamilton, Edmund Breese, Johnny Harron, Matty Kemp. "UNCERTAIN LADY." Adaptation by Martin Brown and Daniel Evans; screenplay by George O'Neill, Doris Anderson and Dan Evans; director, Karl Freund; assistant, Joe McDonough; first cameraman, Charles Stumar; stills, Fred Levy. Cast: Edward Everett Horton, Genevieve Tobin, Paul Cavanaugh, Renee Gadd, Mary Nash. "HALF A SINNER." Stage play by John B. Hymar and LeRoy Clemens; screenplay by Earl Snell and Clarence Marks; director, Kurt Neumann; assistant, Archie Buchanan; first cameraman, George Robinson ; stills, Roman Freulich. Cast: Berton Churchill. Joel McCrea, Sally Blane, Mickey Rooney, Russell Hopton, Theresa Maxwell Conover, Alexandria Carlisle. "BLACK CAT." Directed by Edgar Ulmer; first cameraman, John Mescall; stills, Roman Freulich. Cast: Karloff, Bela Lugosi, David Manners, Jacqueline Wells, Lucille Lund. "I GIVE MY LOVE." Story by Vicki Baum; adaptation by Milton Krims; screenplay by Doris Anderson; director, Karl Freund; first cameraman, Charles Stumar. Cast: Wynne Gibson, Paul Lucas and Louise Lattimer. "LOVES OF A SAILOR." Original screenplay by Dore Scharey and Lewis Foster; first cameraman, George Robinson. Starring Chester Morris and Slim Summerville. MONOGRAM CARR "BLUE STEEL." Producer, Paul Malvern; author and director, R. N. Bradbury ; assistant director, Glenn Cook ; cameraman, Archie Stout ; stills, Joe Walters ; recording engineer, J. Stransky ; assistant, Jerry Roberts ; film editor, Carl Pierson ; art director, E. R. Hickson; chief electrician, Edward L. Cox. Cast : John Wayne, Eleanor Hunt, George Hayes, Yakima Canutt, George Cleveland, Ed Peil, Lafe McKee, George Nash. "MAN FROM UTAH." Producer, Paul Malvern ; author and screenplay by Lindsley Parsons ; director, R. N. Bradbury ; assistant, Glenn Cook ; cameraman, Archie Stout ; stills, Joe Walters ; recording engineer, J. Stransky ; assistant, Jerry Roberts ; film editor, Carl Pierson ; art director, E. R. Hickson; chief electrician, Edward L. Cox. Cast : John Wayne, Polly Ann Young, George Hayes, Lafe McKee, Yakima Canutt, George Cleveland. ALL ABOUT ME And as for your noble scribe (if you will not indict me on two counts of flattery) I've been amused a little hither and some more yon. Had a lot of fun a few days ago photographing a gag with Skeets Gallagher and one of those vaudeville horses that can do jigs and handsprings and other marvelous! antics. No, folks, not an india-rubber pony, but two pepole under a horse's skin. I often have had occasion to reflect in my observation of human nature that there didn't really seem to be enough horses heads to go around, but this was the first horse I've ever worked with that could take himself apart and put himself together with the utmost nonchalance. He behaved most amazingly. C'mon up sometime and I'll show you the film. Another epic in my youthful career occurred this month. At a premiere I photographed I actually saw and photographed the elusive Marlene Dietrich on one of her rare excursions into public places. I had never seen her before. Now there remains for me but the desire of Yahbut — to see Mae West. And I'll probably c'm'up and see her at the wrong time ! — Bob Tobey. PARAMOUNT "SHE LOVES ME NOT." Director, Elliott Nugent; assistant, Ewing Scott; first cameraman, Charles Lang; operative cameraman, Robert Pittack; assistant, Clifford Shirpser; stills, Frank Bjerring; recording engineer, Harold Lewis. Cast: Bing Crosby, Miriam Hopkins, Kitty Carlisle, Edward Nugent, Lynne Overman, Warren Hymer, Judith Allen. "CLEOPATRA." Screenplay by Young-Lawrence; director, Cecil B. DeMille; assistant, CulIen Tate; first cameraman, Victor Milner; operative cameraman, William Mellor and Cooper Smith; assistants, Guy Roe and Robert Rhea; stills, Ray Jones; recording engineer, Harry Lindgren. Cast: Claudette Colbert, Warren William, Henry Wilcoxon, Ian Keith, Gertrude Michael. "PRIVATE SCANDAL." Screenplay by Johnson-Gollomb; director, Ralph Murphy; assistant, Raoul Pagel; first cameraman, Milton Krasner; operative cameraman, Harry Hallenberger; assistant, Irving Glassberg; recording engineer, A. W. Singley. Cast: Phillips Holmes, Zasu Pitts, Mary Brian, Ned Sparks, Lew Cody, June Brewster. "IT AIN'T NO SIN." Director, Leo McCarey; assistant, James Dugan; first cameraman, Karl Struss; operative cameramen, George Clemens and Hatto Tappenbeck; assistants. Fleet Southcott and Donald Sargent; stills, Don English; recording engineer, Harry Mills. Cast: Mae West, Roger Pryor. John Mack Brown, Katherine De Mille, John Miljan, Stuart Holmes, Edward Gargan, Warren Hymer. "DOUBLE DOOR." Director, Charles Vidor; assistant, Russ Mathews; first cameraman, Harry Fishbeck; operative cameraman, Fred Mayer; assistant, Neal Beckner; stills. Sherman Clark, recording engineer, R. G. Wisdom. Cast: Mary Morris, Evelyn Venable, Kent Taylor, Sir Guy Standing, Anne Revere, Colin Tapley. "THIRTY DAY PRINCESS." Screenplay by Edwin J. Mayer; director, Marion Gering; assistant. Art Jacobson; first cameraman, Leon Shamroy; operative cameraman, Daniel Fapp; assistant, Milton Bridenbecker; stills, Elwood Bredell; recording engineer, J. A. Goodrich. Cast: Sylvia Sidney, Cary Grant, Edward Arnold, Vince Barnett. UNITED ARTISTS "OUR DAILY BREAD." Producer, King Vidor; original story by King Vidor; screen adaptation, Elizabeth Hill; director, King Vidor; business manager, Isadore Bernstein ; production manager, Vernon Keays; assistant director, Ralph Slosser; dialogue director, Mortimer Offner; cameraman, Robert Planck; assistant cameraman, Reggie Lanning; stills, Madison Lacey; casting, Ray Hanson; technical director, Lloyd Brierly; film editor, Lloyd Nossler; sound engineer, Russell Hanson. Cast: Tom Keene, Karen Morley, John T. Qualen. Barbara Pepper, Addison Richards, Madame Boneita, Harry Holman, Harold Berquist, Marion Ballow, Alma Ferns, Lionel Baccus, Harris Gordon, Bill Engel, Frank Minor, Henry Hall, Frank Hammond. Lynton Brant, Henry Burroughs, Harry Brown, Harry Bradley, Captain Anderson, Harrisan Greene, Si Clogg, Rav Spoker, Eddy Baker, Harry Barnard, Doris Kemter, Florence Enright, Harry Semels, Sidney Miller, Nelly Nichols, Alex Schumberg, Bud Ray, Bob Reeves, Ed Biel, Jack Baldwin and Three Milsfield children. ANDRE, THE MAGICIAN If Andre Barlatier makes any more trips to Catalina to make background shots I'm going to present him with a commodore's cap. He's practically a commuter. He does get off the ocean occasionally, though. The last time I saw him he was photographing a dozen extras in theatre seats with a black velvet drape in back of them, and said he was going to make the dozen extras look like a few hundred all unbeknownst to them. I suspect the NRA could sue him. Enzo Martinelli assists Andred in all his feats of legerdemain which probably makes Enzo an accessory after the fact. You figure out what fact. — Bob Tobey.