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September, 1934
The I X T E R N A T I O X A L PHOTOGRAPHER
/ wenty-fh'i
The New
Studio Unlit
NATIONAL MOTION PICTURE STUDIO
CARBONS
BALANCED These carbons LIGHT have been de
veloped especially for the motion picture studio. The color composition of their light is accurately balanced to the color sensitivity of modern motion picture film. This is apparent from the adjacent curves. This light duplicates the photographic effects of daylight without using filters.
Angstrom Units Curve A — Energy Distribution from the new UO ampere Studio Corbon Arc Curve B — Color Sensitivity of Supersensitive Ponchromotic Motion Picture Film
COOL At equal photographLIGHT ic intensity, the new studio carbon arc projects far
PHOTO. ACTIVE RAYS
NEW 40 AMPERE STUDIO CARBON ARC
NEXT MOST EFFECTIVE STUDIO LIGHT
less heat onto the stage than any other source of illumination used in the studio.
NEW LAMPS have been de TRIED and APPROVED in the STUDIO
veloped to use these improved A BETTER LIGHT
studio carbons. These lamps for BLACK and WHITE PHOTOGRAPHY
are silent in operation. They A NECESSITY for COLOR
maintain a steady arc and provide illumination of uniform intensity. Side arcs, scoops and spots are available.
NATIONAL CARBON COMPANY, INC.
Carbon Sales Division, Cleveland, Ohio {i»:^
Unit of Union Carbide QTjH and Carbon Corporation XjOz,
Branch Soles Offices ♦ New York ♦ Pittsburgh » Chicago ♦ San Francisco
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