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Twenty-six
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INTERNATIONAL PHOTOGRAPHER
December, 1934
MINIATURE CAMERA PHOTOGRAPHY
(Continued from Page 24)
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Eastman Panchromatic : Increase the time 50// Eastman Panatomic: Increase the time 50 '.', .
Us
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Agfa Superpan Film: Use ]/2 of the exposure shown in the table.
DuPont Panchromatic : Increase the time 50' < .
DuPont Superior: Use ^2 of the exposure shown in the table.
Eastman Supersenitive Panchromatic : exposure shown in the table.
Gevaert Superchrome Express: Use the same exposure shown in the table.
Perutz Neo-Persenso : Use same exposure shown in the table.
Perutz the table.
Pcromnia: Use '2 of the exposure shown in
SOMETHING NEW
(Continued fr
make our color pictures using the double system to give us better cutting ability and also the possibility of recording sound away from the location where we are shooting, if other sound is desired. For example, while our camera is photographing various angles of a parade unhampered by the sound unit our sound recorders can concentrate on recording band music for our picture at some advantageous location best suited to them. It can readily be seen how well this works out on foreign stuff, where strange selections are played not easily reproduced elsewhere.
IN NEWSREELS
om Page {))
With a good start in what we believe to be the right direction, we hope that the new year will see our little idea developing into a reel that will be generally enjoyed. If effort will bring success, we should make good, and all concerned are happy at the thought.
Now that the depression is a thing of the past I am sure the new year will be happy. Best wishes for a joyful Christmas to you all and the FINEST NEW YEAR OF ALL YOUR LIVES.
MAY ALL THEIR CHRISTMASES BE HAPPY
The International Photographer, its publishers and editorial staff extend, with whole hearted appreciation, the compliments of the season to all these noble souls who have, during the past year, lent willing hands to the upbuilding of this publication. It is a large, distinguished and rapidly growing family and we hope that every one of them here named may be with us in the better years to come. Here they are:
Earl Theisen, Charles Felstead, Fred Westerberg, Ray Fernstrom, Lewis W. Physioc, Charles P. Boyle, Franklin Courtenay Ellis, Alvin Wyckoff, James B. Shackleford, Esselle Parichy, William Hartman, Harry Mimura, Augustus H. Wolfman, Milton Moore, George Lancaster, John Leezer, Paul Ivano, Geoffrey Hodson, Irving Akers, Rollie Totheroh, Karl A. Barleben, Jr.,
F.R.P.S., Philip Tannura, Art Reeves, Bert Longworth, Herford Tynes Cowling, F. Morris Steadman, John Beecroft, Paul R. Harmer, Edwin S. Linden, W. Wallace Clendenin, Donald MacKenzie, Alfred C. Moore. William Horsley, Walter Bluemel, Samuel T. Shaw, Jr., May Gearhart, Lewis H. and Helen L. Davis, Richard Bare, Jack Alton, Warren M. McGrath, Carlisle Jones, Ray Flinsky, Keith LeBar, Max Dupont, Robert W. Miller, Robert Tobey, "Kodak", Jack Smith, Herbert A. Kliegl, James A. Woodbury, Billy Bitzer, R. W. Murray, Harry R. Lubcke, Paul E. Bowles, Walter Strohm, M. L. Tandon, E. W. Melson and S. Lawrence, Fred S. Tobey, S.M.P.E., The Academy of Motion Picture Arts and Sciences, Enrique Vallejo, Bob Hussey, S. Ramanathan, John L. Herrmann, Joseph Murphy.
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