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THE COVER STORY:
Kodak Cover Girl "Most Photographed"
The most photographed girl of the year is probablj not am of the glamour gals you see in the magazine ads. but an attractive young lad) named Smith.
Uthough her face ma) not be familiar to \ou. it definitely is to a large group of technicians at
stman Kodak Company who are concerned v\ i t h the qualit) ol kodak photographic film.
Twenty-year-old Miss Sue Smith. 5'3" and 1 In Ih.. poses all da) long for still and motion pictures, mostl) in color, as part of her job as a model in the film testing division at Kodak Park Work-, where film is made She's been facing the camera lens for more than two \ears.
In an average year Sue poses for
over Til. 011(1 -till pictures and more than 15(1.11(11) feet of movie film. She is photographed in both indoor and outdoor scenes, in winter and summer, under good and poor lighting conditions. She poses on the beach, in parks, in the living room, at the airport, in the backyard, on the front steps of a cathedral a well as under careful!) controlled studio conditions.
I'lie idea is to duplicate man) of
the typical picture-taking scenes laced b) amateur photographers.
I he colors in her clothing and in tin props in certain scenes are -elected to check the color characteristics of a particular film. Examination of the negatives and prints also permits judgments to he made about film sharpness, contrast, and graininess.
Sue Smith is an ideal testing model for film because her flesh tones are ver\ close to those of the average person. Kodak technicianhave a precise idea of just what flesh tones are required after making thousands of scientific measurements using a spectrophotometer. Her light brunette hair was just what was needed.
When you put these requirements together, you don't have the average girl. Far from it. You have a girl who is photogenic in the technical sense as well as in the everydav mean: ing of the word. A girl pretty enough to be pictured water skiing in a national advertisement bv Kodak.
About a year ago Sue started posing for tests of Kodak's newest film. No. 126. which goes into the recentlv
(Continued on page 14)
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HIGHEST
SPEED
IN PROJECTION
Kollmorgen lenses rate tops in the motion picture industry. Used exclusively with Cinerama, they are standard equipment in more than 70 % of American theaters. High light uniformity and less light loss on the screen — the whole screen — are typical of the outstanding performance of super snaplite" lenses.
Other advantages that add up to superior screening with super snaplite are:
Wire sharp contrast Uniform illumination Crystal clarity
Wide range of focal lengths Sealed construction
Bulletin 222 describes Kollmorgen lenses in detail. See your equipment dealer, or write us direct.
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NORTHAMPTON. MASSACHUSETTS