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LOTS Of LIGHT FOR SALE
at a Bargain
with this marvel of projection lamp.
e NEW
J^^FUTURA'
MOST ^ LIGHT
PER CARBON DOLLAR
for 35mm and 70mm projection. Instant change from .one film width to the other.
* NEW E^sk^FUTURA'
TOP LIGHT OUTPUT
for indoor and drive-in theatrei.
.. NEW |^S•**FUTURA,
THE MOST ADVANTAGES
Low original cost. Greater operator convenience. Efficient use of standard 20-inch cartoons.
See your Strong dealer or write for literature.
Electric Corp.
31
City Park Ave., Toledo, Ohio 43601
TELEPHONE: 248-3741 AREA CODE: 419
This is the entrance to the new Marbro Drive-In in Chattanooga, owned by the Martin Theatre circuit. The illustration shows the changeable letter sign, screen, concession building and projection building used in this new installation. Ashcraft products are used in the projection booth. A 6-foot high cedar fence surrounds the entire drive-in.
Hollywood Cameraman Relates Movie Making Experiences
(SPLINTERS FROM HOLLYWOOD TRIPODS by Virgil E. Miller, A. S. C, 139 pages, $4.00, An Exposition-Banner Book, Exposition Press, Inc., N. Y.) Many books have been written celebrating — or denigrating — Hollywood stars. Virgil E. Miller, probably more than any other person, was the man behind the camera which brought them immortality. In his book. "Splinters From Hollywood Tripods," he focuses on his fellow cameramen and others behindthe-scenes colleagues and professionals.
Many of Miller's experiences — and those of his coworkers — were filled with danger, excitement and sometimes hilarity. How does one go about photographing a runaway locomotive, for instance, so that it smashes directly into the camera? Miller solved that problem with a mirror trick — and without injury.
He was less fortunate when another assignment called for him to get some close-ups of a group of "tame" lions. One of the beasts suddenly swerved from the path he was expected to run in and charged between Miller's legs, sending him and his tripod flying into the air. The cameraman next found himself riding, for about ten seconds, on the
Here is the installation of Super CoreLite arc lamps and twelve phase selenium rectifiers in the projection room of Martin Theatre's new Marbro Drivein, which opened early last October at Chattanooga. Water recirculators are used to cool the solid silver positive carbon contacts with the lamps burning 13.6 mm x 18 high intensity carbons at 150 amps. Screen width is 110 ft. Illustration courtesy C. S. Ashcraft Mfg. Co.
International Projectionist January, 1965