Journal of the Society of Motion Picture and Television Engineers (1950-1954)

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LIGHTING* confd sity Carbon, R. M. Bushong and W. W. Lozier, 54: 725-731, June 1950. The Open-Air Concentrated-Arc Lamp, W. D. Buckingham, 54: 567-584, May 1950. New Brenkert Projection System for Drive-in Theaters, C. N. Batsel and H. J. Benham, 54: 483-491, Apr. 1950. New Projection Lamp and Carbon-Feed Mechanism, J. K. Elderkin, 54: 87-94, Jan. 1950. Color Measurement of Motion Picture Screen Illumination, R. E. Harrington and F. T. Bowditch, 54: 63-73, Jan. 1950. Air Cooling of Motion Picture Film for Higher Screen Illumination, F. J. Kolb, Jr., 53: 635-664, Dec. 1949. Portable Device for Measuring Radiant Energy at the Projector Aperture, A. J. Hatch, Jr., 53: 363-367, Oct. 1949. Effect of Carbon Cooling on High-Current Arcs, Wolfgang Finkelnburg, 52: 407- 416, Apr. 1949. Optimum Performance of High-Bright- ness Carbon Arcs, M. T. Jones and F. T. Bowditch, 52: 395-406, Apr. 1949. Determining the Light Distribution and Luminous Flux of Projectors, J. Berg- mans and H. A. E. Keitz, (Summary of Philips Tech. Rev., 9, No. 4), 50: 519, May 1948. High-Intensity Projection Arc Lamp, Charles A. Hahn, 50: 489-501, May 1948. Motion Picture Screen Light as a Func- tion of Carbon-Arc-Crater Brightness Distribution, M. T. Jones, 49: 218-240, Sept. 1947. Light Generation by the High-Intensity Carbon Arc, F. T. Bowditch, 49: 209- 217, Sept. 1947. Recent Developments of Super-High-In- tensity Carbon-Arc Lamps, M. A. Han- kins, 49: 37-47, July 1947. Increased Light for Projection of 16-Mm Film v/ith Carbon Arcs, R. J. Zavesky and W. W. Lozier, 48: 447-453, May 1947. Screen Illumination with Carbon Arc Motion Picture Projection Systems, R. J. Zavesky, C. J. Gertiser, and W. W. Lozier, 48: 73-81, Jan. 1947. Studio Lighting Methods for Television Studios, H. M. Gurin, 55: 576-589, Dec. 1950. The Cine Flash, A New Lighting Equip- ment for High-Speed Cinephotography and Studio Effects, H. K. Bourne and E. J. G. Beeson, 55: 299-312, Sept. 1950. CBS Television Staging and Lighting Practices, R. S. O'Brien, 55: 243-264, Sept. 1950. Designing Engine-Generator Equipment for Motion Picture Locations, M. A. Hankins and P. Mole, 55: 197-212, Aug. 1950. Economy in Small-Scale Motion Picture Lighting, A. L. Smith, 55: 180-188, Aug. 1950. Study of Sealed-Beam Lamps for Motion Picture Set Lighting, W. Blackburn, 55: 101-112, July 1950. The Stroboscope as a Light Source for Motion Pictures, R. S. Carlson and H. E. Edgerton, 55: 88-100, July 1950. Effects of Incorrect Color Temperature on Motion Picture Production, F. F. Crandell, K. Freund and L. Moen, 55: 67-87, July 1950. Color Temperature: Its Use in Color Pho- tography, O. E. Miller, 54: 435-444, Apr. 1950. Lighting Distortion in Television, Richard Blount, 53: 625-634, Dec. 1949. Television Studio Lighting, A. H. Brolly, 53: 611-624, Dec. 1949. New Portable High-Intensity Arc Spot- light, R. J. Ayling, 53: 408-416, Oct. 1949. Report of the Studio Lighting Committee, 51: 656-666, Dec. 1948. Report of Studio-Lighting Committee, (1947), C. W. Handley, Chairman, 51: 431-436, Oct. 1948. New Developments in Mercury Lamps for Studio Lighting, F. E. Carlson, 50: 122-138, Feb. 1948. Television Studio Lighting, W. C. Eddy, 49: 334-341, Oct. 1947. Report of the Studio Lighting Committee, 49: 279-288, Sept. 1947. Lighting and Exposure Control in Color Cinematography, Ralph A. Woodsey, 48: 548-553, June 1947. 27