Der Kinematograph (Mar 1907)

Record Details:

Title:
Der Kinematograph
Date:
Mar 1907
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (March 1907)
Leaf #:
00048
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Early Cinema, Global Cinema, Hollywood Studio System, and Germany
Format:
Periodicals
Contributor:
Media History Digital Library, Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
March 28, 2024
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

KiNEM/lMMFH OFNWIN fÜf\-0iC-öE5flMTE Pf\OOEI\TiON^KUNS: Endwhit ■ »Mi n tHdi «tiMMl o PMis *irdi dfo r«st k mt ß - fr« OMrial Mfc. 1A M direkter Franko-Zusaiuiung Mk. 1^ o o o Stellen-Qesuche di« Zeile 10 flii Sdiliiss itr Redaktion und AnzeiflM-AnnahnM: ArttuMdi K bt m d mt m dM »Vwlai das Ki-Mmateeraph". P QmH e rt , VtaMMha m iMNMi. Nr. 13. DtaMMorf, 3L MAra. Die Vcrwcckihnigen der Fachzcitediriften „Der Kinematograph"^ „Der Artist In totxtcff Zeit wtedcrliolt n InrtOMn ra4 MinnnttBteiiMB AahM (cgcbu. Wir madicn daher MMie verdutai Lcacr, I nriwa oada r e *cr «ncw ««tat tnanalai, daran! anfnerksjni, d«ss bcitfc Facbargsae twe< getrennte QeschlilssteBen bMca. Die fflr den MKlneuiatograph** bea M iH en , jedoch an den „Artist" üericbteten Korrespondenzen, besonders — Offerten —. können leicht Verzögerunf(en fOr die Interessenten tiervoTuIen. Wir bitten, sowohl At>onneaients als auch Iiserate tOr den K nemalograph cefl. an den Verlaf^ dcSMKinematograph" zu adressieren. Der Pcrtoenparats tulbcr kOanen jedoch Kmrespoadenxen ' Ifarden.Kinematograpii'.aiaaMlilIrdai.ArtiBr'r ' izt. Falle—eaat boaaMBM ha cradKiaL Aaaaerdca wM der J(iacaat«grarir biUeazabeadMca.daaa laac-.atc dar KlB**Braackc 1 i-P// ^?ü?oit r. Bafgabe und Ziel d« kkhtiitlder- poifiliinnigeiL. I i j i »4 A Noch vor wenigen Jahren hatte keiner den cewaltisen Auf- schwung vermutet, den die UchtbiMerindnstrie in der letzten Zeit KenuiiRiien hat War sie zinSchst eine Spielerei, die nur darauf ^a^|K;«e m hOm i fg» . M üa Hit der Entwickhuie der nUjük za einem Mittel cewordca. das 4m Witaenwhaft ia ibrca nmk cestett iirt. Dte UchtbHderapparates. um den Lernenden die Porscnungcii der neu- eren Wissenschaft zu vermitteln. In diesen Kreisen verrichtet das SUoiMikini toreits ^ Aafcabe. die «s zn erflUen hat; aber hi des Kreisen des VcAes hat es noch lanse nicht die Stdhme. die ihn zukommt. Es »-ird leicer noch immer nur als ein Mittel zur Be- lustigung betrachtet, und wenn LichtbiMcrvoriührungen stattiinden. so wird znaSchst ge4rai;t: „Uibt es auch etwas zu lachen? Sonst geben wir nicht hin!" ^^> soll nun Zweck des^hentif^ Artikels seia, nach dieser I^ichfung hin antlciarend za virfcea. Wenn das einzige Ziel der LichtbildervorMnagen darin be- stäatic, zu uaterltaiua aoU zu belustigen, so wäre das meiner Aa- dw Va