Der Kinematograph (Oct 1908)

Record Details:

Title:
Der Kinematograph
Date:
Oct 1908
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (October 1908)
Leaf #:
00095
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Early Cinema, Global Cinema, Hollywood Studio System, and Germany
Format:
Periodicals
Contributor:
Media History Digital Library, Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
March 28, 2024
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No« 96. Der Kiaematograph — DM««eidorL Johannes Hitzsche I »IptIb Ti Fahrikalian kimiiiatfly apli ftpitl! Sj|SlII ,OiliSn|l|" NiM UU GOLDENE MEDAILLE für vorzüglich« Hamburg 1908 Film-Uerleih'ZenIrale 1. Ranges Neuheiten zu kulanten Bedingungen. [Ä] rmii-veneiii' iV Allererste Neuhei tVJsJ^» ! I I I nucuc VoUatSndig i i —mmt mitelafctrMcher Lamm. »lAli iacham Wident«nd für Gleich- oder Wdchaebtrom, automa- tischpm Feuer\-er8chlu« (patent.), Feuerschild, ausziehbaren FSmm, Feuer-Magazinen, Film-Ti Lebende Bilder FUnis MHLMB IVM.WMIKLMHCII 2000 Fussjieue Sujets Preis 500 Hh. ab Phila- delphia. Letzte Neuheiten: Dos sensationelle Sheotkleid Ein urkomischer Film. Ausgezeichnet. 200 m. Ein Polizist ouf eine Stunde Noch eiii Srhiafter von nngebsoer liiiiifculMi Wirkung. 100 m. Der falsche Bann Keine Wilmersdorfer Schuatergeschicht«'. Kim» OritrinHl-Konuxlie voller Muinor. 27.'i in. Lesen Sie jede Woche imaero Be- merkungen an dieser Stelle. Wir liaben Ihnen irome • etwao Int«>re8santes zu sagen. Haben Sie unseren Fi hu •r-U rt i rt aH' beeteilt ? Wenn nioht, dua iiiiniwMi Si« dM beste ZogiiMok de« Jahres I Ganz Amerika qninht von dem Film! Je<ler will ihn «ehen. Schafte, ciii-s er nur 330 M • r „• Unsere dramatischen Films leh rtn "^int Moral, rnsere FiiiiiH zeigen mchtd Sohlüpf- frjgaa, niMrtaUiiMMtladiMa. ITnaere Flfana sind dafür be- kannt, dass sie zwar drama- tisch, aufregend, interessant und packend eind« daas sie aber mit einer Ifanl «udan. Jeder Bect^'Uung ist min- deatenadiellHlfu cl. Betrages als Anzahlung beizufügen. Keferenien mnd zwecklos, da wir unter keinen Um- stämlen Kndife eimtaBaan. BeHtolIungen ohan Anxah- hini; bleib, onberückalchtigt. S.LUBIN LEBENDEN-BILDER-MASOHMDI <^^^<=> UND FILW8 PHimDELPHin „■ PA. S.A.