Der Kinematograph (May 1909)

Record Details:

Title:
Der Kinematograph
Date:
May 1909
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (May 1909)
Leaf #:
00074
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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Der Kinematograph — Düsseidort. No. 126. Rinematoiiraphenliesitzer Deiitschlanils! schließt Euch der Deutschen Filmleiher - Uereinlsuns an. Dieselbe wahrt Eure Interessen. Verlangen Sie Prospekte etc. gratis. Deutsche Filmleiher-Vereinigung Berlin SW. 68 Markgrefenstrasie 92 93. Telegr.-Adr.: Filmprivileg. Telefon: Amt IV, 10382. Es liegt ie Ihrem Interesse unsere Läger in Düsseldorf oder Bremen zu besuchen! Wir verkaufen bis 15. d. M. weit unter Preis, meistens bis zur Hälfte des sonstigen Preises reduziert: Selbstspielende Pianos mit und ohne Mandolinenbesetzung. Orchester- Pianos elektrisch oder mit Gewichtaaufzug spielend, mit (ien verschiedensten Besetzungen. Starkton-Maschinen (Pressluft) auch solche mit Federaufzug Sprechapparate kleinere, hervorragend laut spielend, von Mk. 50 an. Einige Kinematographen-Apparate erstklassige Fabrikat« so gut als neu. Klavier-Vorsatz-Apparate ersetzt einen geschulten teuren Klavierspieler. Kaloscop- Panoramas 1—3tei)ige, sehr gewinnbringend f. Theater- Vor ballen. A. Werner’s Musikwerke Xlappsitz-gänke aus Buchenholz in allen Farben liefert billigst €rnst Malier, Zeitz DÜSSELDORF BREMEN am Hauptbahnhof im Zentrum der Stadt Graf Adolfstraase ltMi. Hutfilterstrasae 8/8. AMtut« und tröute Geschäfte mit In dieser Branche. OOOOOOOOO00800oooooooo o Es sind noch 4 Wochen* O Programme frei 0 : zu 80, 70, SO und SO Mark : O. auf Wunsch auch zweimal wöchentlich Programm- Q Wechsel (man verlange hierüber Extra-Offerte). o Alhambra-Theater, g Hannover, Limburgstrasse 2.1 0000000000080000000000 Rheinische Film-Zentrale, Crefeid Telephon 2732 ^ Schwertstratte 137. Telephon 2732 verleiht zu billigsten Preisen 2388 erstkl. Wochen-Programme mit ^zweimaligem Wechsel Wöchentlicher Eingang 2500 Meter allerlc-zter Neuheiten. »OOOOOOOOO«