Der Kinematograph (May 1909)

Record Details:

Title:
Der Kinematograph
Date:
May 1909
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (May 1909)
Leaf #:
00090
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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Der Klnematograph — Düsseldorf. No. 126. Kinetnatomhen Unübertrefflich in Dauerhaftigkeit, Präzision und Betriebs¬ sicherheit. Denkbar grösste Filmschonung. Absolut fest- - stehende Bilder. Vollständig flimmerfrei : - baut als ausschliessliche Spezialität: Eugen Bauer :: Stuttgart .IVsVsVsVlVeVsVeaVia an einem hochrentablen Unternehmen der Branche beteiligen. Offerten C. R., Berlin SW. 48 postlagernd. Liesegang’; auf den Projektionaschirm aufge- striehen. macht diesen silberhell. Die Lichtbilder erscheinen darauf kräftig und plastisch, selbst in einem massig erhellten Kaunie. Wir liefern fertig geetricliene Totalreflexwände als auch die Masse zum Selbstaufstreichen. Prospekt und Offerte auf Verlangen. Ed. Liesegang Kinematographen, geg-. 1864. Jeder kann sein Programm schon v. 30 Hk. an selbst znsamme nstellen. Ohne Kaution! "Sn Man verlange Programme und Bedingungen. . Film-Tausch-Centrale Fllm-Leih-Anstalt fl. f. DOrlng, Hamburg 33. Sfliwilhenstr. 35. GQnstls für KinematasrapHenbesitzer! Ca. 50 Oriliestrions und eiet. Klaviere stehen zu vermieten. s«, Bei Kauf wird gezahlte Miete gutgeschriebeo. Denkbar günstigste Bedingungen. Carl Schmitt Rheinland u. Westfalens grösstes Musteriager in Orcfiestrions, elektr. Pianos und K unstspiei- Apparaten. Film-Verleih I 1.-SS3S31 K553I