Der Kinematograph (December 1909)

Record Details:

Title:
Der Kinematograph
Date:
December 1909
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (December 1909)
Leaf #:
0006
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Early Cinema, Global Cinema, Hollywood Studio System, and Germany
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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Der Klnematograph — Düsseldorf. No. 153. Ememann - Stahl - Proiehtor „IMPERATOR“ loser Uang Absolut fummerfreie Projektion 1 Schonung. Automatischer Feuerschutz. Stabilstes Mfxl.il ; Abnutzung auch nach jahrelangem Gebrauch kaum merkbar. Oer Stahl-Projektor „Imperator*' Ist im Ausstellungs-Theater aut der Intern. Photographischen Ausstellung. Dresden, seit ca. einem halben Jahre in Betrieb und bewihrt sich glänzend. Nicht die kleinste Störung ist bisher zu verzeichnen. Ol« Leistungen des Apparates werden von allen Fachleuten als bisher von keinem anderen Modell erreicht bezeichnet. Verlangen Sie Preisliste und Kostenanschläge! firosste Fabrik des Kontinents tur den Bau klnematographischer Aufnahme- unc Wiedergabe-Apparate. HEINRICH ERNEMANN A.-G., Dresden 156 oooooooooooooooooooooooooooooooooooooocxxx>o 8 _ 8 Zwei Crefelder Theater l garantiert 8 Tage gelaufen und t 14 , lebender, singender, sprechender Photographien Inhaber: 8. COHN. Crefeld, Hochstr. 51. Fernruf Ne. MS. Bank-Ooato: Banner Bank-Verein. Hlnaber». Furbar ft Co„ Crefeld. mit oder 0*1 ne Tonbild hat trat Film-Verleih und -Verkauf Fllm-Uerlelh Zentrale „Hansa“ Leipzig, Dresdnerstraue 32. OOOOOOOOOOOOOOOOOOOOOO! Sofort zu verleihen: Rheinisch - Westfäl. Verlangen Sie Tausch- und Films-Uerleih-o. Tausch-Institut Telephon 4M0. Düsseldorf, RlOSteritT. 59. Napoleon und die Gräfin Hatzfeld Unter der Gewaltherrschaft eines römischen Cäsaren :: Julius Cäsar Der Tower von England :: Zigeunerblut Die Bürgschaft :: Othello. Offerten an Th. Zimmer mann. Bochum, Viktoriaatraeae 9 Telephon 1781. 40000 Meter Films z« lolundjoptg. däs^Ltr. ■ München-Nymphenburg. ■