Der Kinematograph (December 1910)

Record Details:

Title:
Der Kinematograph
Date:
December 1910
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (December 1910)
Leaf #:
00017
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Early Cinema, Global Cinema, Hollywood Studio System, and Germany
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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No. 20« Der Kinematograpk — Düsseldorf. Herkules Der beste Projektions - Apparat fcder Welt! Malteserkreuz-System Unverwüstlich. Flimmert rel. o Leih-Programme ° 2 mal Wechsel per Woche von 40 Mark an. Tagesprogramme für Schausteller. H. J. Fey, Leipzig Herkules Ein Triumph der Fein-Mechanik ! Modell 1910. Selbsttätiger Feuerschutz. Geräuschlos. Plastische Bilder Im Februar diese» Jahres haben wir unser Film- Verleih-Institut ohne einen Kunden begründet, ein schweres Unterfangen in schwerer Zeit, nur geleitet von dem Grundsatz streng reell, prompt u. kulant zu sein. Heute marschieren wir an der Spitze. Wir zählen eine stattliche Anzahl von Kunden and jeder Kunde bedeutet für uns eine Referenz. Nur einem solchen Institute kann sich der Theaterbesitzer ohne Sorge für die Zu¬ kunft anvertrauen. Es wende sich deshalb jeder der um eine erstklassige Leihverbindung verlegen, im | eigensten Interesse an das 4» 15 ** Film-Verleih- Institut m. b. H. 3000 Kerzen Kinematographenllcht ====== tu ledern Dorfe ============ gibt unser Triplexbrenner Unabhängig von jeder Oae oder elektrischen Leitung. Anerkannter Konkurrent der Bogenlampe. Katalog K gratis und franko. DrSgerwerk 4 4 Lübeck. „Globus“ Taucha trat ras** 9. LEIPZIG Einzeln zu verleihen: Olt wobst Sklavin. Ein seltsamer Fall. Friedrick dar Grösst. Matsallna (koloriert). Leutnant Brtnkon und die aufständischen Neger etc. etc. Ich verleihe nur slbstgefuhrte, erstklassige Programme bei ein- und zweimal wöchentlichem Wechsel zu den denkbar günstigsten Bedingungen. Rodle, prompte Bedienung. ss Tages ~ Programme ! ss Filmverleih-Zentrale Th. Scherff, Leipzig bindenan Angerstrasse No. 1 Telephon: 1236*. General -Vertreter der Fabrik kinematographischer Apparate System „Saxonia", für Provinz u. Königreich Sachsen, Sachsen- Alten bürg und Thüringen. seto Uebernahme simtl. in das Fach elnschlagandon Arbeiten.