Der Kinematograph (December 1910)

Record Details:

Title:
Der Kinematograph
Date:
December 1910
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (December 1910)
Leaf #:
00042
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Early Cinema, Global Cinema, Hollywood Studio System, and Germany
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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Der Kinemitograpk — Disseldorl. No. 207. Goerz Photochemische Werke BERLIN-STEGLITZ, Holsteinischestrasse 42. Spezialität: Kinematographen - Rohfilms. Positiv- und höchstempf indliche Negativ - Films. Man verlange Muster. i — r linst Im Februar dieses Jahres haben wir unser Film- Verleih-Institut ohne einen Kunden begründet, ein schweres Unterfangen in schwerer Zeit, nur geleitet von dem Grundsatz streng reell, prompt u. kulant Heute marschieren wir an der Spitze. Wir zählen eine stattliche Anzahl von Kunden und jeder Kunde bedeutet für uns eine Referenz. Nur einem solchen Institute kann sich der Theaterbesitzer ohne Sorge für die Zu¬ kunft an vertrauen. Es wende sich deshalb jeder der um eine erstklassige Leibverbindung verlegen, im eigensten Interesse an das 4915 „Globus ^ Film-Verleih- Institut m. b. H. rstrasse 9. LEIPZIG Einzeln zu verleihen: Die waisse Sklavin. Ein seltsamer Fall. Friedrich der Grone. Messallna (koloriert). Leutnant Brinken und die aufständischen Neger etc etc Konkurrenzlos billige Films! Tadellos in Schicht und Perforation. The Kinematograph Das erste und leitende englische Organ der Klnematogrrphenbranche Ist das meist ver¬ breitete englische Fachblatt und wird all- das Organ der Kinematographie. Franko-Zusendung pro Jahr M. 11.28. Proben um mer koetenl. Heran & Ca., Tattanham Street. Landen W., England.