Der Kinematograph (December 1910)

Record Details:

Title:
Der Kinematograph
Date:
December 1910
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (December 1910)
Leaf #:
00048
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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Der Kloematograph — Düsseldorf. No. 207. Steuer-Reklamationen haben am ersten Erfolg, wenn Sie den Reinertrag Ih'es Geschäfts nachweisen können. Wer glaubt Ihnen denn, dass Licht, Kraft, Filmmiete. Lokalmiete, unverhältnismässig hohe Beträge verschlingen? Zahlen beweisen! Führen Sie das in unserm Verlag erschienene Kassenbuch für Kinos und Filmverleiher von Alb. Lechleder ein, so können Sie zu jeder Stunde nachweisen, dass Sie der Stadt im Laufe des Jahres für Elektrizität, Lustbarkeits- und Billettsteuer mehr zahlen als Ein Millionär! Unser Kassenbuch, mehrere Jahre ausreichend, ganz in Leinen ge¬ bunden, kostet nur Mk. 8. . Druckerei Ed. Lintz, Düsseldorf Verlag des „Kinematograph'*. Krsfce und bedeutendste italienische Zeitung für die kinematographisohe und phonographisclte Industrie. Erscheint monatlich 2mal. 9 Abonnemente- und Inaertions - Aufträge, sowie auch ö Q notwendige Ueberaetzungen dea Inseraten - Texte* Q X besorgt kostenlos der Vertreter für Deutschland: I <J) Sig. Gloria Giovanni - München, Q Q Prelsingstrasu 79, I. r. A Russland! „Cine-Phono“ Kracheint in Moskau am 1. und IS. jeden Monats in einer Auflage von ca. 2500 Exemplaren. Abonnementspreis: 8 Rubel pro Jahr. Moskau, Twerskaja, Haus Bachronachin N 124. General-Vertretung für Deutschland: Richard Falk, Bariin w. 68.