Der Kinematograph (December 1910)

Record Details:

Title:
Der Kinematograph
Date:
December 1910
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (December 1910)
Leaf #:
00054
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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Der Klnematocraph Disseldor; Ko. 26 ?. Kombination Sprechmaschine und Klavier. Wichtig für Kino - Besitzer! Symphonion-Saiten-Orchester mit Gewichtsaufzug und Noten in Rollonform. Elektrisch pneumatische Klaviere mit cd« .»»• NBamemi. Parlopiano, alektr.-pneumat. Klavier in Verbindung mit Sprechmaschine. Sprechmaschinen ml! langer Laufzeit u. Riesen-Waldhorn-Trichter. Symphonion - Saphir - Schallplatten ohne Nadelwechsel mit unvcrwüstl. Saphirs ft spielbai Für kinematogr. Vorstellungen besonders geeignet. Symphonionfobrik. Aktiengesellschoft, Leipzig-Gohlis. Der große Wurf ist uns gelungen. Ein Kunstspielklavier, welclies die von len Künstlern hincingeepielten Piecen ganz get au wieder- zibt, ist da. Es ist nun möglich, ein dem Filn.progran Spezial-Apparat rar Kinos mit 8 Platten, Präzi.-dohs- Motor, Regulier-Vorrichtung und Tabulator. Grossart. Klangwirkung, natürlichste Wiedergabe. Fortephon-Spreth- iwi'hlnenuerke. Verwenden Sie bei grammophonlachen 6158 führungen „LA CHM ESPAKOLA“ 2 La Seule Revue Cinematographique 5 2 qui se publie en langue espagnole. 2 Paraieaant le 5 at 20 da chaque moit. Sur demande, anvol 2 2 g rat ult de numtros specimens et tartt d'annencts. 2 Abonnement: Etranger Un an Fea. 7,50. 6418 ■ 2 Rsöaction i Adunistration Plaza De Hedlnocell 5. Barcelone. 2 I urchard Starkton alnd dt« lautoaton dor Wolt. WER GELD VERDIENEN WILL in England und seinen Kolo- TUl? UT ndPA l »I/ 1 nien. wird nicht versäumen, in L 11H, OlUhbUl i±t zu annoncieren, welche mehr gelesen wird als die sämtl. anderen englischen Fachblätter der Kinematographen-Industrie zusammen. Wochen tl. Frauko-Zusendung M. 8. — pro Jahr. Probenummer frei. Pa$n\UfS5®IW I H mmwerierter Pl.t. I vVerdoh! 1 1 aaa ■ . Rauchen verboten | Plakate b=d für den Klnobetrleh —.. <48 cm grom, 1 , p Ub inseitig, lackiert, I I feucht abwaschbar. ___________ Stück Mark 1.—. I ly . 1 Stück Mark 0.50. I Not - Aa ^ \ Nur gegen Einsendung dM Betrages bei Bestallung. ßuchdruckerei Ed. Lintz, Düsseldorf.