Der Kinematograph (December 1910)

Record Details:

Title:
Der Kinematograph
Date:
December 1910
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (December 1910)
Leaf #:
00058
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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Beilage »u Wo. 1350 der Fachzeitschrift „Df Artist“. Der Kinematograph Organ für Die gesamte Projektionskunst. Düsseldorf, 21. Dezember. 1911 Prosit Neujahr! Wenn Sie für die Tage um den Jahreswechsel herum sich eine ganz besondere oooo Attraktion oooo sichern wollen, wenn Sie Wert darauf legen, Ihrem Publikum eine angenehme, reizvolle Ueber- raschung zu biete und wenn Sie wollen, dass einer dem andern von Ihrem Theater erzählt, dann bestellen Sie sich rechtzeitig den am 28. Dezember einheitlich zur Ansgabe gelangenden Neujahrs - Glückwunsch - Trickfilm „Prosit Neujahr 1911“ oooooooo für nur Mk. 35.— Inkl. VIrage oooooooo Inhaltsangabe. Eine Malerpalette. Die Farbtuben quetschen selbsttätig etwas Farbe aus und ein von unsichtbaren Kräften bewegter Pinsel malt einen Abreisskalender auf. Dieser nimmt feste Gestalt an und die einzelnen Tage de« Dezember trennen sich von selbst ab. Nachdem auch der Sl. Dezember verschwunden ist, malt der Pinsel in den freien Raum ein Fenster, das in wenigen Minuten zur natürlichen Grösse anwächst. Es öffnet sich und in seinem Rahmen erscheint das „Neue Jahr“ in Gestalt eines hübschen, jungen Mädchens, welches das Publikum mit Kusshänden begrüsst und ihm Blumen zuwirft. Aus diesen bildet sich dann wieder selbsttätig der Glückwunsch „Prosit Neujahr 1811". Deutsche BloscoMesellschQft m Berlin SGJ.48 bi oieopib" bstii n. Friedrichs«!*. 236 (Lustspielhaus)