Der Kinematograph (December 1910)

Record Details:

Title:
Der Kinematograph
Date:
December 1910
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (December 1910)
Leaf #:
00073
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Early Cinema, Global Cinema, Hollywood Studio System, and Germany
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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No. 208. Der Klnemstograph Düsseldorf. Sauer-Apparate sind erstklassig bekannt durch solide dauerhafte Konstruktion, tadellose ruhige und flimmerfreie Vorführung. — Oeniessen daher den besten Ruf. •*“ Eugen Bauer, Fabrik kinematographischer Apparate, Stuttgart 15 „Theatrograph V“ die neueste Kino-Sensation ist soeben erschienen!! - Ernstliche Reflektanten erhalten gern Preislisten. —- 5 lidjard Soergel, äisenberg Kinematograpt'isches Institut. I V er kauf »Vermittlung kinenuitogr. Geschäfte. Beschaffung von Teilhabern. Einrichtung von Klnematographen- Theatern zu kulanten Zahlungsbedingungen. Nachweis von lokalen zur Errichtung von Kinotheatern. 3000 Kerzen Klnematographenlicht ============= tn ledern Oorle =========== gibt unser Trip/exbrenrwr Unabhängig von jeder Gas oder elektrischen Leitung Anerkannter Konkurrent der Bogenlampe. Katalog K gratis und franko. Orügerwerk 4 4 Lübeck. Verlangen Sie Speziallitt« 4 für HHHfl Lichtbild-Optik mma und wählen Sie die Spezialitäten: extra lichtstarke Kino - Projektions - Objektive farblose Kondensoren. Mehrere ffbnwdte. y m f 0r mer darunter: 1 Kinanker. 220 65 Volt, 80 Ainp. \ ... r) -.. . 1 Zweianker, 440,65 Volt, 45 Amp. | f,,r «•««w»«»“ 1 Zweianker. 120/65 Volt, 60 Amp., für Drehstroni und andere, sehr billig zu verkaufen. 7334 F. W. Feldscher. Hagen I. W„ Kampstr. 4 Kombination Sprechmaschine und Klavier. Wichtig für Kino - Besitzer! Symphonion-Saiten-Orchester mit Gewichtsautzug und Noten in Rellenferm. Elektrisch pneumatische Klaviere mit oder ohne Nüanzierung. Parlopiano, elektr.-pneumat. Klavier In Verbindung mit Sprschmaschine. Sprechmaschinen mli langer Laufzeit u.Ri«san-Waldhorn-Trichter. Symphonion - Saphir - Schallplatten ohne Nadelwechsel mit unverwiistL Saphirs ft splslbar. Für kinematogr. Vorstellungen besonders geeignet SvmphonloniabrlK. Aktfensesellschaft, Leipzig - Gohlis.