Der Kinematograph (December 1910)

Record Details:

Title:
Der Kinematograph
Date:
December 1910
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (December 1910)
Leaf #:
000105
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Early Cinema, Global Cinema, Hollywood Studio System, and Germany
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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No. 209. Der Kinematograph — Düsseldorf. HandM der praktischen Kinematoiraphie Die uerschiedenen Konstruktions-Formen des Kinematographen, die Darstellung der CSG) lebenden Lichtbilder soiuie das.(Z)G9 - kinematögraphische Aufnahme -Verfahren - Von F PAUL LIESEGANG □ ftit 125 Abbildungen Q LE1P*U3 1908 Ed. Liesegan^ Verlag (M. Eger). Dirses' vorzügliche Werk liefern wir frdi jeder inländischen oder cieter reichiachen Poet Station gegen Voreinsendung des Betrages von Mk. #,50 für ein gebundenes Exemplar. Die Expedition des „Kinematograph“, Düsseldorf. Inhalt: Waren u. Wirkungsweise des Kinematographen. I>cr Kinematographen Film. I er Lichtbilder-Apparat Der Bewegungsmecha¬ nismus. Die Tiire. Die Blende. I >os Kinen ogrophen- Werk. Die optische Ausrüstung. Die Liohteinrichtungen. I *ie Einstellung der Licht - \ usrüstungsgegenst ände und Aufstellung des Apparates. Das Arbeiten mit dem Kinematograph. lieber die Feuersgefahr bei kinematographiach. Vorführungen. Vorführung u. Programm. Fehlerhafte Erscheinun¬ gen beim Arbeiten mit dein Kinematographen. Die Herstellung kinema¬ tograph. Aufnahmen. Ferner seien zur Anschaffung empfohlen: Die Projektionskunst für Schulen, Familien u. öffentliche Vorstellungen und Beschreibung chemischer, optischer, magnetischer und elektr. Experimente mit Hilfe des Projektiona-Apparates. Elfte Auflage, vollständig umgearbeitet und vermehrt von I . Paul Liesegang u. Dr. V. Berghoff mit 153 Abbildungen (315 Seiten Gr.-Okt.) Preis Mk. 5. , gebunden Mk. 6. Zu bez. durch den Verlag de* „Kinematograph ‘, Düsseldorf. Skioptikon Einführung in die Projektionskunst Vierte Auflage von 6 . Lettner mit 23 Abbildungen ~— (72 Seiten Gr.-Okt.) Preis broschiert Mk. 1.50 = Zuverlässiger Führer für alle, die sich über den Projektions - Apparat, seine Handhabung, über die Lichtquellen etc. etc., orientieren wollen. Zu bez. durch den Verlag des „Kinematograph,“ Düssoldort.