La Revue du cinéma (1928 - 1929)

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L empreinte laissee par Stroheim sur chaque image est si puissante que les monteurs professionnels n'ont pu qu'enerver la marche de l'intrigue, supprimer des developpements, escamoter le plus penible de certaines audaces. Mais le film porte bien le temoignage que son auteur en a sollicite et il eclaircit toutes les demarches qui en ont marque la realisation. Le souci de realisme reste la seule sauvegarde que cet illumine conserve pour assurer l'authenticite des visions qui le possedent. L'mdependance et le desinteressement affirmes par l'homme se retrouvent chez le realisateur attache a evoquer les passions humaines. Cette deme Zazu Pills et Gibson Gowland dans Greed. 11