Modern Screen (Jul-Dec 1945)

HOLLYWOOD STARS YOU KNOW BY / WESTMORE Dorothy Lamour Starring in "A MEDAL FOR BENNY" A Paramount Picture FROM HOLLYWOOD... WESTMORE'S SENSATIONAL NEW LIQUID-CREAM FOUNDATION MAKE-UP NOT A CAKE . . . NOT A CREAM DOES NOT CAUSE DRY SKIN ToN IGHT . . . today ... in just one minute . . . look your loveliest. Apply one drop of Westmore's new liquid-cream Overglo before you powder and rouge. See how it camouflages large pores and little lines. Never gives a mask-like appearance. Watch it add youthful radiance. Enjoy a smooth, well-groomed, flawless-looking face-do all day or night. Non.-d.ying, definitely! Overglo has an emollient lanolin and oil base. Protects against dust and weather, too.One bottle lasts months. Six flattering shades. $1.50, plus tax. WalltWestmOBE, Director of Makeup at Paramount Studios, Hollywood, using House of Westmore cositietics to make up Dorothy Lamour. NEW. .. ONE-SHADE ... OVEROIO FACE POWDER A make-up discovery! Practically colorlesspermits your foundation-tinted skin to glow through with youthful beauty. A face powder specially created for use with Overglo or any tinted cake, cream or liquid foundation. $ 1 <-'■» ">*■ 72 PRODUCTS OF THE HOUSE OF WESTMOB Tom Drake right back to Hollywood with an M-G-M contract. , , Here's the report New York wired the studio after his first test. "Tom Drake-A skinny kid on the Dead End boy type. Hard face to photograph. Ready for the next draft. After "Janie" clicked and Tom was draft deferred and they looked again with a test camera, came back this gem: "Tom Drake-fairly decent actor-draft exempt but cross-eyed." • I doirt know where they got that cross-eyed stuff unless it's the way Tom shoots his sparkling eyes around, they're lined up as straight as railroad tracks. Anyway, it didn t faze Hollywood. The wire they shot back said "S^gTup the cross-eyed boy. Everyone else is in the Army!" . But after a few pictures like Two Girls and a Sailor," "Maisie Goes to Reno Mfrs Parkington," "This Man's Army and Meet Me in St. Louis," Metro-Goldwyn-Mayer became very fond of their "cross-eyed boy, ^There have been lots of thrills for Tom Drake. Having Judy Garland see him in "Two Girls and a Sador for instance, and say "That's the boy for Meet Me in St. Louis' " and getting the part that helped him click in a big way without even a test. It has been a pleasant surprise for Tom to rocket up so high on the fan mail lists and find out that People all over the world like him plenty. To get letters from people he doesn't even know saying, You remind me of my son I lost m the war%> or "you're just like my husband overseas, or "my brother," or "my best beau. It has been great to put over a real acting job on his own like his last in "Hold High the Torch " So, professionally, Tom Drake had no real kicks from the start— Uns last trip to Hollywood. pencil memories ... But when he slumped on the set in the long waits between takes, he d find himself doodling with a pencil on the pages of Ins script. And— funny thing— what he doodled, absent-mindedly, was always the same doodle. A girl's face, always the same girl s fajudy Garland caught him at ita few times. "Who's the girl, Tom?" shed tease WAnd Tom would start like he'd bad a hotfoot. "What? Oh— I— I don't know. I iust draw those things when I m not thinking I don't know who it is." But he knew down deep inside he was lying to himselL He knew who it was. It was Chris. That's how his private life kept kicking around in the air and getting nowhere— until a year ago last New Years Eve. New Year's is a time to be with old friends and that's where Tom was, with Peter and Maurine Cookson and some other old pals of his from the East whose names don't matter because you wouldnt know them anyway. They were all at Peters house for a private party. Surrounded by all those personal strings back to his happy days, Tom couldn't help a lump of loneliness and a longing for yesterday to sneak up in his throat. And then a kid he hadn't seen for years, who was fresh out from New York, came rn "Hi Tom," he cried and the first thing he said after that was only natural to this guj who remembered when. "Say, do you know that Chris is out here?" Tom felt that old feelmg, hitting him like an electric shock up his spine. "No!" he said. 4 • , "Sure— right here m Hollywood. > Then Tom remembered. Of course. She c , married this actor fellow and he was n Hollywood. Very natural. He also re membered the fact that that let him out! long ago. "I'd like to see Chris, he saic