Modern Screen (Dec 1931 - Nov 1932 (assorted issues))

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WARDROBE —and in this article Loretta and Miss Lane tell you how to give your wardrobe the same touch By VIRGINIA T. LANE (Above) No, that wrap isn't ermine— nor lapin. It's panther skin, a smart and durable fur which is suitable for both daytime and evening. (Right) Loretta's very best evening dress, which she keeps for the most formal of parties. It's icy white satin. Crystal beads form a charming design on the bodice and the girdle is a crushed sash. The dress hanging up is satin, too— chartreuse, with a bodice of sea-green sequins. seldom especially good-looking — that long, graceful skirts are much more nattering than abbreviated ones. She'd rather be called attractive and intelligent than merely pretty. And she infinitely prefers having her friends say, "Oh, what a smart gown!" instead of, "My, isn't that cute!" In every sense of the word Loretta Young is a Miss Modern. Earl Luick, who has designed innumerable costumes for her, says she's young without causing one to be constantly aware of the fact. He describes her as being "a triumphant twenty." Twenty that combines graciousness and poise with the attractive spontaneity of girlhood. "And I try to have her screen clothes give just that impression of her. She wears them beautifully, principally because she knows how to carry herself. You can't walk in jerks or have round shoulders and expect your clothes to give you distinction. "If you really want to acquire style, first learn to move 67