Modern Screen (Dec 1931 - Nov 1932 (assorted issues))

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Sidney Fox believes that it is foolish to fall in love until "you know where you are going." She thinks that many women meet heartbreak and disillusion because they love only with their hearts— forgetting that they have brains which should give them judgment. And she has an amazing remedy for this sad state of affairs. Olympus or a following of a million ardent fans, but she did recognize the fundamental truth that no woman can ever stand still. Either she goes up — or she goes down. Sidney chose to go up. SHE is a wisp of a woman, this girl who now treads the paths of the mighty. With her share of human failings. For instance, the ticking of a clock in her bedroom turns her savage. When she reads, which is often, she curls up with a book on a big divan and presses the end of her nose quite flat with a finger. She hates shoes and won't wear them except when it is absolutely necessary. Crocheting is a passion and she would rather do it than eat.. Her figure is petite. The modeling of her face and the way she carries her head is something one never forgets. And her walk, her thrilling, exhilarating walk. Why can't the camera catch it? It doesn't, you know. Not a bit of it. Somehow, it misses all the joie de vivre in her stride and that marvelous economy of movement that sets her apart. Without being catlike, it is catlike. No woman in Hollywood can cross a room with so little fuss. Of course, there isn't much of her — only a hundred pounds — but that doesn't explain it. Some day, a smart cameraman will catch it and then you'll see for yourself. Sidney was in her middle 'teens when she discovered that life should — and could — be harnessed. She looked around her and saw what hasty decisions and unformed judgments were doing to her friends. And she said to herself : "There must be something that is finer and grander than this. I want it. And the mistakes I make will not be those mistakes." Today, we see her daintiness and wonder how it survived the struggle of those other years. And don't you forget that there was a struggle. She has known the grimy labor of standing over a machine in a New Jersey silk mill and the drudgery of a ten-hour job followed by night school. She has suffered (Continued on page 102) Sidney Fox didn't And look where she is this very minute 67