Modern Screen (Dec 1949 - Nov 1950)

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up "So that's whi . • The only thing these two have in common is 3ollywood. Go build a marriage on that." Actually, Lupino and Duff can start with a tetter foundation. 'When Howard was in the Navy, the closest riend he had was a movie producer. "Why don't you come out to Hollywood when his is over?" the producer asked him. "What for?"' said Howard. "IH get you a part in a movie," the producer aid. "And if that's not enough. I'll get you a late with the prettiest star I know." That did it. First move Howard made after le checked his bags in Union Station was to all up his friend. "Okay," he said. "Get out the script, and put hat lady on the phone." ' "Well, catch your breath, chum," the producer aid. "Ill have to do a little thinking. About hat date . . ." "Yeah, the date," said Howard. "You know, Jl the way in from Sah Francisco, I've been Ireaming about Ida Lupino. Crazy, isn't it? low about Ida Lupino?" "That's too bad," said the producer. "I don't mow Ida Lupino. How about Ava Gardner?" "Ava Gardner?" Howard thought it over for ill of one second. "Tell her I'll be around at ' ight." Ava Gardner sailed in on Howard Duff the »av the moon sails over Miami. It was ineviable — and Miami would be lost without that r oon. For three years. Ida Lupino was forgoten, and Shelley (Continued on page 941) The gossips crossed them off their lists and said it wouldn't take. They turned to other matters — whik Duff and Lupino turned to each other love