Motion Picture Classic (1923, 1924, 1926)

■ -in-law with t VS.l^ I I ■ ■ m \> wl \% I. a ell that j [></t BMOAfWM . \ jr rtinj l»at»\. Isn't lie WOfth II he |ur« of it when you iilJ Llo) J In " 1 Do." you've lost your funny-bone— r>u think a comedian Is onlv down or a buffoon you will -e»ly change your mind when vole this poor timid, lovable hoarn the secret of Courage. Arhrcwd, loving Grandma — ih lew what he needed. No wc r "Grandma's Bov" was vo among the best ten motion ou :s of the year. I 1 you tliink no motion picture in the world can A make you laugh a good old-fashioned laugh again — take this prescription. It's tested and unfailing, especially compounded for just such a critical case as yours. K Six Encore Pictures of Harold Lloyd. Sig: Take one after meal time. Alone or accompanied by friend, member of family or stray child. Get into comfortable seat at motion picture theatre and — shake well! S. Q. Lapius, M.D. After the first treatment you will feel so much better you'll tliink you are cured. But don't stop with one picture. Keep the treatment up. Take all six — and you'll want to cure others! Ask your theatre manager for this tested group of gloom-destroyers. He will be glad to give you the genuine — bearing the signature of that distinguished producer, Hal Roach. Distributed by Associated Exhibitors, Inc. Arthur S. Kane, President, 35 West 45th Street, New York. Physical Distributors, Pathe, Inc. SOMI HOW Lloyd feels that the bathing pool of the Sultan's Harem i ; no Ioiik' t from the Sultan'i clutch re onlv two of the perplexities which best r Harold Lloyd in " \ Sailor-Ma li n you uproarious adventures you'll wonder how he could cram so much hilarif v into one short huur. la if oft l.lo may upi utl roari fa ROI.D and Mildred find In \ \ cr Weaken " that true a dangerous course, Li in the air. Lovelorn perched on a girder, doin^r. el t to get back to solid to his sweetheart — t sound funny, but it is an ous spectacle. WHEN a fellow who has never beenoutsidehishomctowngcts into society, and is asked to tell of his African hunting cxperiences — just what would the book of etiquette advi* his imagination, is our guess. And in "Among Those Present," Lloyd does use his imagina. tion — recklessly and wondrously as you can judge from the ex. pression of his hostess. IT doesn't seem quite fair to ask a painfully respectable, undomesticated bachelor to play chaperon to a full -ofthe -mischief, four-year-old girl in a 1 Pullman. But m or Never" Lloyd does find a way out of his troubles — after bis own fashion. core ENCORE PICTURES are chosen from hundreds of new motion pictures offered us each year — cb tually enttnain the private audiences who em in advance. This line of high grade pici. eludes: Harold Lloydin"Grandma'sB Do," en," "Among Those Present," and "A Sailor-Made Man." Constance Binney in "A Bill, of Divorcement" — an absorbing drama ling the depthsof human feeling. "Head Hunti rsof the — a truthful record of a thrilling admire. Florence Vidor in "Alice Ada'a wonderfully faithful and . picturi'ation of Booth Tatkington's fl; — andothcr To be sure of having all the better photo-plays shown in your neighborhood Mould form a Better Pictures Council irk with the managers of your local picture the .r than 6oo communities have or d such Councils. Every month the members receive impartial reports of all i*hilc phot' tures alone. The Council recommends the bcNt pictures to the theatre manager and endorses them to the public. Thus everybody benefits — theatre goers can make known in advance what pictures . and the theatre i \\ hy don't i getti ■ "Getting B Works." Arthur J>. Kane, 7 ; West 45th Street, New . (Snen)