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(holographs of Miss Chadwick copyright
JoGENES had a wonderful start, but I have Ijcaught up to him. Perhaps it’s because |he had an old-fashioned lantern, while iji an electric flash, a 1918 model ranted an honest man. That was I have won a Croix de Columb discovering a, movie player who kthe truth about her salary, about f jay she broke into the movies and if herself in general. She might b;said ;
‘m advertising concern begged for i jse of my picture. As soon as it appeared in Hay the presidents of five Moving Picture con h sat on my doorstep all one night, pleading jlme to save their companies from ruin by ^ng for them at five hundred a week. I i ted. They began to bid, and finally
dt; got me at three thousand.”
M I might have believed it — but she
When I suggested that Helene (A'ick give me a clo.se-up of the road jne, she twinkled from her good-looking til to her hazel eyes.
By ETHEL ROSEMON
Fame Found Her In the Subway
Helene Chadwick Sought the Elusive God Success Via Advertising Car Cards
“Do you remember the old illustrated songs, where shy young girls gazed up into the eyes of handsome collar models, as they stood beside impossible gates draped with flowers in colors that exceeded the wilde.st dreams of the most advanced futurist?” she reminisced.
I nodded.
“Well, that was my first appearance on the screen — I mean as the shy young thing. When I was in the graduating class in school, the girl who sat next to me told alluring tales of the fun she had and the money she made posing for songs at a studio near her home.
Helene Chadwick started b y posing for the good old i 1 1 u s t rated song slides, then she bec a m e a model for a d V e rtising car cards
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