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Mmher
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jMOTION HICTUKl-. Cl.ASSI
Billie Rhodes — Circus Girl
(Coiifiiiucd from poijc 17)
Well, an3'vvay, “1 love this circu-i at inosphere,” slie said. “It seems natura to me, someliow or otlier. Nc^ne of m people were ever connected with a civ CLis, nor, in fact,, with any other branc! of tlie profession, but I’ve been ‘on th go’ ever since I can remember, just th same. W'e used to move regularly twic a year. I’ve lived all over San Fran cisco.’’
She has si.\ brothers and three sister: all living.
“You can imagine how much it re .sembled ‘the biggest show on earth every time we moved,’’ she added, laugh
Her first moving ])icture was made i;
• Vugust, 1913, by the Kaleni Compan) and was called “The Perils of the Sea. It was, she says, the first of the “nature pictures and was a drama.
“And now,’’ she went on, “I’m goin; back to drama again. I’m glad, toe I’ve been doing comedies for so Ion that I’m sick to death of them. I wan heavy emotional roles, with perhaps i touch of comedy.’’
Just then there was a knock on th door.
“We’re ready to shoot when you art Miss Rhode.s,’’ came cheerfully fnnn th other side. (This is a polite way telling a star to hurry up.)
“All ready,’’ she answered.
She had just had time to grab a hit of lunch while changing from one co.« tume’to another. On the way down stairs we talked about war posters an^ cartoons. Probably it is the “trouper in her which makes her so interested i these things and in the ballet school sh is attending “for fun.”
Oh, yes, she is taking French.
Her eyes and hair are brown, she i about five feet tall, and all of her ges tures are (juick and ini[)ulsive.
The last I saw of her she was stanc ing in front of the tent bidding a tearfi’ farewell to the clown, while from tlr ’cello and hand-organ iloated the strair. of Tosti’s “Good-by.”
In the springtime of her youth Billi Rhodes has deserted two-reel comedk and become a star.
The Hope Chest
(CoHliiiiied from payc 65) here on Long Island. I shall be happyand — I’ll wait — I promise you.”
Sheila waited. Waited thru at lea two dozen perfervid proposals froi Stoughton L.ounsberry — waited moi than one red moon — -waited, and nevi despaired. And at last he came . . not Tom . . . but the man he had come.
“I’ve come, Sheila,” was all he said i her, but it was enough.
“Yes, you have,” she told him, givir him her eager lips again, and he nev knew what she meant when she adde "for the first time — Tom ...”
(Seventyfour)