Motion Picture Classic (Jan-Aug 1919)

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I’ve lived all over San Fran cisco.’’ She has si.\ brothers and three sister: all living. “You can imagine how much it re .sembled ‘the biggest show on earth every time we moved,’’ she added, laugh Her first moving ])icture was made i; • Vugust, 1913, by the Kaleni Compan) and was called “The Perils of the Sea. It was, she says, the first of the “nature pictures and was a drama. “And now,’’ she went on, “I’m goin; back to drama again. I’m glad, toe I’ve been doing comedies for so Ion that I’m sick to death of them. I wan heavy emotional roles, with perhaps i touch of comedy.’’ Just then there was a knock on th door. “We’re ready to shoot when you art Miss Rhode.s,’’ came cheerfully fnnn th other side. (This is a polite way telling a star to hurry up.) “All ready,’’ she answered. She had just had time to grab a hit of lunch while changing from one co.« tume’to another. On the way down stairs we talked about war posters an^ cartoons. Probably it is the “trouper in her which makes her so interested i these things and in the ballet school sh is attending “for fun.” Oh, yes, she is taking French. Her eyes and hair are brown, she i about five feet tall, and all of her ges tures are (juick and ini[)ulsive. The last I saw of her she was stanc ing in front of the tent bidding a tearfi’ farewell to the clown, while from tlr ’cello and hand-organ iloated the strair. of Tosti’s “Good-by.” In the springtime of her youth Billi Rhodes has deserted two-reel comedk and become a star. The Hope Chest (CoHliiiiied from payc 65) here on Long Island. I shall be happyand — I’ll wait — I promise you.” Sheila waited. Waited thru at lea two dozen perfervid proposals froi Stoughton L.ounsberry — waited moi than one red moon — -waited, and nevi despaired. And at last he came . . not Tom . . . but the man he had come. “I’ve come, Sheila,” was all he said i her, but it was enough. “Yes, you have,” she told him, givir him her eager lips again, and he nev knew what she meant when she adde "for the first time — Tom ...” (Seventyfour)