Motion Picture Classic (Jan-Aug 1919)

MOTION PICTURE CLASSIC Send Them This Gift Card tlMinillliniMMIIIMHIIIMIttinilllNIMIIIIIIMIIIMIIIIIIMinillMirMllllllintlllllMllltllMIIIIII uMiMiMiiiHitiiiiimiiiiMiiiiitmniiiiiiiiniiiiiiiiiiiiiiniiiimiiiMmiiiiiiiiMiiiiiiuiiuiini A Twelve Times Christmas Gift In One This is a time when you cannot be too painstaking in selecting a gift for a relative or friend. It should be something useful, something in which he or she is interested and something that will bring pleasure* to the receiver — not only one day, but many days to come. Can you think of a Christmas present that will be more appropriate for your brother or sister, friend or relative, father or mother, husband or wife, sweetheart or soldier boy, than a year’s subscription to the Motion Picture Magazine or Motion Picture Classic? Everyone is now interested in Motion Pictures, and everyone attends Motion Picture Theaters, and anyone will highly prize the present of a subscription to either one of these great magazines for Christmas. Twelve times — not once — it will come to them, a reminder of you and your thoughtfulness at Christmastide. Beautiful Gift Card Free With each subscription we will supply free a beautiful gift card to be sent to the receiver of the gift, on the date you name. To whom shall we send the magazine and gift card for you? All that you have to do is to fill out the attached coupon and meiil with proper remittance and full instructions. We will follow these instructions carefully and promptly. Better send in your order now before the Christmas rush and Christmas is very near. . JV]. p. PUBLISHING CO. CHRISTMAS HANDS. ACROSS THE SCREEN j p KNOW you are beir^g deluged with bills, carpet -slip' • pers ^or jeweled hat pins) It's Christmas-tide. I want t’ the tide to set only one way 'your' way. and so 1 am •' sending you a pre.scnt vsiih my blessbg and my Christmas phandshake. It's in your-mail-MOJION , PICTURE ' It’s yours for ' coming hx>nth5. Christmas Motion Picture Magazine one Year Motion Picture Classic one Year Both M. P. PUBLISHING CO. 175 Duf field St., Brooklyn, N, Y. Gift Coupon u. s. Canada Foreign $2.00 $2.40 $3.00 2.00 2.40 3.00 3.50 4.30 5.50 Gentlemen: — Kindly send the Magazine Classic for one year to Enclosed find $ in payment. Name Address The Man Who Is Never Himself {Continued from page 71) smug, self-satisfied clergyman. Could anything be more negative than selfsatisfaction? That very setting furnished a big background for the other characters, tho one might say it was a small part compared with others assigned to me by Mr. Griffith. It is in this very exploitation of the negative and positive characterizations that Mr. Griffith excels. When I act with some of the other directors, I may suggest, or I may assume more, but with him I feel that the entire responsibility rests with him and I am glad to leave the big issues in his hands. He confers with us all, we interchange opinions, but first and last he is our director. “And yet we are but on the threshold of picture-making. Even in spite of the fact that we have witnessed superb productions. The director is the real power behind the throne, and it is he who must unfold possibilities of the films. It is not humanly possible for any man to be a good actor one day and a director with a reputation on the next. Time, experience, wide reading, travel — all these things are needed in addition to the help > given by an art director. That is why I believe very young actors make a great , mistake to jump into direction. They lack the assets. Today the fault lies not : with the audience or the story — it is ; faulty direction.” But the man who is never himself doesn’t want to be a director. He would ! rather , hVe a thousand characters than i direct their moves thru the megaphone. . Have a Hart 1 {Continued from page 32) As he is real, so is he all-embracing, tolerant and wise. One knows that he would be square. One feels that he would be just. Nor is he the radical, believing, as he does, with a faith at once simple and strong in the biblical God of his fathers. He told me that the role of an atheist he once played was the hardest thing he was ever called upon to do, because neither his heart nor his sincerity were in it. I call to mind words written about a totally different type of man — “A deal of Ariel, just a streak of Puck, much Antony, of Hamlet most of all, and something of the Shorter Catechist.” They are hardly applicable, with the exception of the last — “and something of the Shorter Catechist.” He calls to mind an olden day while taking on the vestments and the manners — and certainly the profession — of Today. He is the impossible meeting of the East and West. He is Blue Blazes Rawdon and Riddle Gawne and likewise Mr. Hart, Hotel Astor, New York (in which role, perfectly taken, I saw him). He is the strong man in whose very tenderness lies the greatest portion of his strength. (Eighty)