Motion Picture Classic (Jan-Aug 1919)

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We gladly send it fa^ about the F^chtingep free, postage prepaid / Just mail the coupon, □singing □ Speaking Perfect Voice Institute r 1772 Wilson Av« ^ Name.. Studio 0156*^ CHICAGO y ... ^ Addreae Q Stammering Q Llsplos DEAFNESS IS MISERY I know because I was Deaf and had Head Noises for over 30 years. 1^ invisible Antiseptic Ear Drums restored my hearing and stopped Head Noises, and will do it for you. They are Tiny Megaphones. Cannot be seen when worn. Effective when Deafness is caused by Catarrh or by Perforated, Partially or Wholly Destroyed Natural Drums. Easy to put in, easy to take out. Are "Unseen Comforts." Inexpensive. Write for Booklet and my sworn statement of how I recovered my hearing. A. 0. LEONARD Suite 27, 70 5th Avenue, • New York City LEARN Movie Acting A fascinating profession that pays big. Would you like to know if you are adapted to this work? Send 10c for our Twelve-Hour Talent-Tester or Key to Movie Acting Aptitude, and find whether or not you are suited to take up Movie Acting. A novel, instructive and valuable work. Send dime or stamps today. A large, interesting, illustrated Booklet on Movie Acting included FREE! FILM INFOKMATION BUREAU, Sta. N., Jackson, Mich. 'Crai ning jor /Tulhorsliip ,HoW to Write, vlhaHo Write, and WKere to sell. CuIH^^ale your mind. BcVclop youvldcmry gifts. Master the art of sclf-'e^prcssion.Makc your spare finiG profitable. ‘Twvn youv ideas into dollars. Courses in ShortrStory Writling. Versification, Journalism^ Play -Writing, Photoplay _ VVriting, etc., taught person* Dv.EsenWGlTt ally by Dr. J. Berg Esenwein, for many years editor of Lippincott’s Magazine, and a staff of literary experts.’ Constructive criticism. Frank, honest, helpful advice. Real teaching. One pupil has received over $5,000 for stories and articles written mostly in spare time — “play work,” he calls it Another pupil received over $1,000 before completing her first course. Another, a busy wife and mother, is averaging over $75 ’a, week from photoplay writing alone. There is no other institution or agency doing so much for writers, young or old. The_universities recognize this, for over one hundred members of the English faculties of higher institutions are studying in our Literary Department. The editors recognize it, for they are constantly recommending our courses. \We publish The Writer's Library. We also publish The ^Writer's Monthly, especially valuable for its full reports of the literary market. Besides our teaching service, we oiTer a .manuscript criticism service. ilSO'page ilIustrated*&atalogue free PItsu* addrttt Home Correspondence School Dep't 112 SpviTigjield, Mass. ■ ■ INCORPORATED 1004 established 1697 DJHJjaimrjar.w.TJH.LW.ijiH.iJiPLuiiLiJM'ti;^ The Career of Katherine Bush {Continued from page 77) if necessary and her belief in herself to the extent that only an initial purchase price would be necessary. The Duke of Mordryn’s face was drawn. “What did you pay,” he asked, thinly, “for your initial price?” Katherine’s face reflected the golden glow of a dream too sweet to last. She spoke of it as such. “In a dream,” she said, “in something of my youth. In pain . . . but mostly in a dream ... a dream that I trampled . . . under my feet.” _ A silence fell on the little room. Mordryn spoke at last. “I suppose you know,” he said, “that I loved you — at once?” “Yes,” said Katherine. “So much,” the Duke went on, “that neither time nor circumstance, nor you, nor I, nor anything we do or are can subtract from it or add a whit to it. ^ It is fundamental. It just is.” “Yes.” “There is power in you,” the man went on, “and passion and immensity. You are something of the woman of all times. Yet you are poignantly yourself.' My dear, I love you. There is no need of further speech between you — and me.” “No,” said Katherine, and suddenly her level eyes met his, and widened, and her white, strong hands reached over to his, and she went to his heart. “I did not think,” she said, in her clear voice, grown throaty and deep, “that power . . . power which I love . . . would come to me . . . led by — ah, led by love, my dear !” The Gladiator of the Cinema {Continued from page 19) personal observation, I have discovered that his best consists of making life easier and more pleasant for every chauffeur, actor, actress or acquaintance that he comes in contact with. He has always a ready joke to lighten the downhearted, an open purse to those in hard luck. He will spend hours trying to entertain people who have no vital connection with his life, but who he knows have had some affliction. He is generally happy and not struggling after some evanescent desire. After all, to keep one’s body in correct physical condition and to live each day so that one’s conscience is clear is rather an ideal existence in this day of complicated theories and motivation. The Dominating Diva {Continued from page 68) Yet the most vivid insight into Miss Farrar’s real self is when she laughed with genuine gusto over her famous fight in “Carmen.” “They did not believe I had strength,” she laughed, “but they did after that fight. Poor Thomas Santschi ! Ask him how he has had to defend himself in his scenes with me !” It is this almost masculine vigor that has carried Miss Farrar to success. And the diva-actress is ■ — indomitable. There 1 is no other word for it. 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