Motion Picture Magazine (Feb-Jul 1917)

156 MOTION PICTURE MAGAZINE Eton Jacket Stock sizes . . $8.50 To measure . . 12.00 Reduce Your Flesh! It can be accomplished quickly with ease and safety — if you wear Dr. Jeanne Walter's Rubber Garments. No dieting or strenuous exercise. No matter where the excess flesh exists there is a specially designed garment to cover that part of the body. Also made to cover the entire body. Dr. Jeanne Walter's nSSKSd Rubber Garments aiK£en are endorsed by leading physicians and are invaluable to those suffering from rheumatism. Chin Reducer $6.00 Frown Eradicator . . . 2.00 Neck and Chin Reducer . 3.00 Abdominal Reducer . . 6.00 Bust Reducer 5.00 Also Union Suits, Stockings, Jackets, etc. Send for Illustrated Booklet. DR. JEANNE M. P. WALTER, InJSS^d Billing's Building (4th Floor) Cor. 34th St. and 5th Ave. New York Representatives: Mrs. Kammerer; 1029 Walnut St., Phila., Pa. Eleanor Porter, 927 Market St., San Francisco, Cal. Hip Belt Stock sizes . $8.50 To measure 12.00 Iwwwwwvwwwi WANTED! Send us TOUR IDEAS for Photoplays, Stories, Etc. ! They may bring BIG MONEY ! Rowland Thomas, an "unknown writer," won a $5,000 prize. Elaine Sterne, another beginner, received $1,000 from the "Sun." You Have Ideas If you go to the movies, if you read magazines— then you know the find of material editors want. Special education is NOT REQUIRED. Writing is open to ALL CLASSES. The Editor of AMERICAN MAGAZINE says: "The best reading matter is as frequently obtained from absolutely new writers as it is from famous writers." EVERY life has its story ! Your Ideas Taken in Any Form We will accept your ideas in ANY form — either as finished scripts or as mere outlines of plots. Send us your Bare Ideas. Outlines. Plots, Synopses or Finished Stories. Your Ideas Corrected Free If your work shows merit— but needs correction —we will completely REVISE and TYPEWRITE it FREE OF CHARGE! Then promptly submit to the Leading Film and Fiction Editors. All scripts are sold on commission. No cha.rse is made for SELLING, except a small commission, deducted AFTER a sale is made. This is YOUR OPPORTUNITY. So get busy! Send your manuscripts AT.ONVE! WRITE TODAY for FULL DETAILS! WRITER'S SELLING SERVICE 41 MAIN AUBURN, N. Y. BJWWlftrWWWAW A Child of Fortune (Continued from page 97) . . . Sweet Norma Talmadge has the most wonderful eyes in the world . . ." And so forth and so on. It was all very pleasant, very refreshing, and equally enlightening ! Also, I would chronicle it here that not once, when seemingly hundreds of personalities were discussed, did Miss Murray say a single unpleasant or unkind word of any one— "Goodness, but Cecil DeMille is a wonder!" Obviously, Miss Murray is correct in her belief that she is a favorite daughter of the gods, for few girls have had more golden opportunities than she. Almost at the very beginning of her stage career, in "The Follies of 1908," she became famous overnight thru her archly fascinating portrayal of the Nell Brinkley Girl — "and I had my salary raised from twenty-five to seventy-five the very first week," she announced proudly. Later she made a hit in a dramatic part in "Her Little Highness," with Mitzi Hajos — "about the only real part I played before the footlights; and once, during the Boston engagement, I played the title role, owing to the star's illness. My ! that was a happy experience," and her whole expression plainly showed that it was. She afterward was one of the pioneers in the modern dances, set amid a cabaret background, lending a refinement and dignity little known previously to the professional restaurant dancer. After that, during the phenomenally successful run of "Watch Your Step," at the New Amsterdam Theater, she was selected, above all other terpsichorean artists, to temporarily replace Mrs. Vernon Castle during that star's illness, and this upon only a few hours' notice, too ! Then came her unlooked-for hit in "The Follies of 1915," and after that Lasky screen stardom. Oh, my, yes ; Mae Murray is right. She is certainly a child of fortune ! When Marguerite Bertsch, Vitagraph's woman director, was looking for a scene of Hades in her new play, "The Devil's Prize," she heard that E. H. Sothern was working in a set that might do. She hurried to him, and questioned him. "Do you think we could use this for a hell?" she asked, and E. H. Sothern, who had worked hard all one hot day in that set, knew. "I can recommend it," he answered emphatically. When answering: advertisements kindly mention MOTION PICTURE MAGAZINE.