Motion Picture Magazine (Feb-Jul 1927)

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j ',.. r ._ j CUJL ■< '"V /A\ & ( '' '^ q U )k -r -r r" <? ^ y1^ -~w p*-~£ ^£j Z jjfi^t I 4IMW By Louise Rice Jessie Tarbox Beales Miss Rice is perhaps the foremost graphologist in America. Famous people from all over the world send her specimens of handwriting — confident of her analysis . . . and this spring her text-book on the subject is to be published. It is with pleasure that we present her expert opinion in our pages Pom Mix — you know him — dashing smile, dashing figure, always dashing to the rescue of somebody on his dashing horse ? So masculine. U-m-m — yes, masculine, of course, but lots of other things. Crazy about color, for one thing. Fussy about little things. A very keen eye for ornament, for good looks in everything and everybody, stubborn as a mule, pliable under the stress of emotion, impatient, fond of money, too fond of pleasure — if trained, might have been a mighty fine painter. I'd say that the latter talent was, if anything, stronger than the talent for acting. Have 1 surprised you? D amon Novarro — another screen sheik — and, like the one who has passed on, successfully playing characters which are entirely foreign to his nature. Here, again, is the half scientific bent, the keen mind, the The greatest skeptics are prone to believe that people indicate their real character in their handwriting. Those who scoff at horoscopes and palmistry and numerology give heed to the analysis of writing . . . eye for detail, the ability to think acutely and constructively. Good taste and culture in the letter formations, and reserve and emotional moderation in the light, even pressure. This actor, blessed with a melting eye and a turn of the head that causes even my hardened old heart to skip a beat, might just as well be a retiring gentleman in a study and with just as great a chance of success, as he has had on the screen. Wilma Bankv. Men are not alone in showing science " as a possibility, right along with dramatic talent for "the pictures." Miss Banky has a mind behind that lovely face of hers and a temperament which is practical and matter of fact. That she succeeds so well with dramatic roles is a far greater triumph for her than it is for some others, since, with her, those roles are really acting and not a mere projection of her own 19