Motion Picture Magazine (Feb-Jul 1927)

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The Way They Do Exposing Some Camera Tricks That Have Been Used in Recent Movies v/>/ r so oa/ POU&LE £XP>OSO/?£. H/iL£ &£ £AC£, WH/LE £Y£S /?01L£0 If you have seen "Ella Cinders," you probably wondered how Colleen Moore did the impossible in one of her close-ups, when she rolled her eyes in opposite directions. This effect was attained by the use of double exposure, photographing one half of her face at a time. In order that the halves match, it was necessary for her to keep her head absolutely steady S<Z>ClS~ &OSSVC ro /V^^£/V The director of Pola Negri's picture, "Barbed Wire," wished an atmospheric scene showing thousands of souls who were killed in the war slowly ascending in the heavens. Two caterpillars with endless belts were rigged up. Miniature figures were fastened upright to the belts. The caterpillars were placed so the figures would converge and fade from sight near the camera when the belts slowly revolved. The cloud effects were worked in by a secret process J/SP/^Zsl/VS /?oas£/? V£/?/VOA> om rojp/3£oc> Did you see the big shark pursue Bobby Vernon when he rode thru the ocean on a torpedo in "Great Guns"? The torpedo was towed by a speed boat in which the cameraman was riding. The pursuing shark was made of rubber and controlled by wires from an airplane circling in the air above and out of camera range 48