Motion picture photography (1927)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

HISTORY O F OINEM. ATOGRAPHY From this it will be seen that much depends upon the quality of light reflected in photographic work. Refraction — When light passes from one medium to another of different density it is refracted or bent as shown in diagram No. 5. The different colored rays being 'refracted or bent in different degrees. Upon this principle depends the construction of lenses. Dispersion is shown in diagram No. 6 that is, light in passing through a glass prism is separated into its component parts, and Showing the elementary character of a primary color. Primary colors cannot be further resolved into other colors. in case of white light into the spectrum colors violet, indigo, blue, green, yellow, orange and red. Absorption — When light falls on an object which neither reflects, refracts nor transmits, the light is said to be absorbed. No known substance is an absolute absorber of light ; that is, an absolute non-reflector. A flat or matte black surface comes the nearest to being a total absorber of light, but it is not possible to paint an object so black but what sufficient light will be reflected from it to reveal its details when brilliantly illuminated. Thus we see that what we call blackness is not caused by no light reaching the eye but when very little does. The blackest object