Motography (Jan-Jun 1918)
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400
MOTOGRAPHY
Vol. XIX, No. 9.
mount) — "A delightful story. We should have more on the same order." — H. H. Kincey, Academy of Music, Selma, Ala.
PATHE
The On-the-Square Girl, with Mollie King (Pathe) — "The picture received a number of comments and seemed to please all." — J. Walton, Auditorium Theatre, Lockwood, Mo.
The German Curse in Russia (Pathe) — "One of the greatest pictures ever made. Photoplay very clear. Interesting from start to finish. Business very good." — W. C. Lamoreaux, Ascher's Lakeside Theatre, Chicago. — In high class neighborhood.
The Stars and Stripes in France and France in Arms (Pathe) — "These were accompanied by Pathe lectures. We could not accommodate the patrons. These are splendid productions. Show actual fights in the air between two French and two German airplanes. It is very thrilling. Both the German airplanes are seen falling to the ground." — A. R. Anderson, Orpheum Theatre, Twin Falls, Idaho.
The Pendleton Round-up of 1917 (Pathe) — "Three reels. The best round-up picture I believe eyer made. Real bucking bronchos and action that made the audience hold on to their seats Turn-away business." — A. R. Anderson, Orpheum Theatre, Twin Falls, Idaho.
SELECT
Panthea, with Norma Talmadge (Select) — "This star is wonderful and a great drawing card. Picture very good." — C. F. Hansen, Strand Theatre, Warren, Minn.
The Marionettes, with Clara Kimball Young (Select) — "Picture fairly good. Drawing power limited. Photography excellent." — H. C. Miller, Boston Theatre, Chicago. — Downtown house.
The Secret of the Storm Country, with Norma Talmadge (Select) — "This is absolutely a wonderful picture. Norma Talmadge is positively great in this." — D. H. Bestor, Court Theatre, Kankakee, 111.
Her Silent Sacrifice, with Alice Brady (Select) — "Miss Brady is a favorite here. This played to big business."— D. H. Bestor, Court Theatre, Kankakee, 111.
Shirley Kaye, with Clara Kimball Young (Select)
-"Heard no complaints. Picture is good, but the title
does not attract those who have never heard of it." —
Charles H. Ryan, Garfield Theatre, 2844 Madison St.,
Chicago. — Middle class neighborhood.
TRIANGLE Ashes of Hope, with Belle Bennett (Triangle) — "One of the best Triangles that we have ever played. Went over big." — Maurice Haas, Pelham Theatre, Philadelphia. Pa.
The Phantom Husband, with Ruth Stonehouse (Triangle) — "Good entertainment for anyone. Big business."— Maurice Haas, Pelham Theatre, Philadelphia, Pa.
Indiscreet Corinne, with Olive Thomas (Triangle) "Triangle deserves the highest praise for a photoplay of this kind. Big business." — Maurice Haas, Pelham Theatre, Philadelphia, Pa.
The Medicine Man, with Roy Stewart (Triangle) —"Good story. Good business." — Maurice Haas, Pelham Theatre, Philadelphia, Pa.
Seeking Happiness, with Enid Bennett (Triangle) — "A splendid feature. Everyone pleased." — Maurice Haas, Pelham Theatre, Philadelphia, Pa.
The Stainless Barrier (Triangle) — "A good picture that pleased. Film in good condition. Business good." — L. Stevens, Bijou Theatre, Alpena, Mich.
One-Shot Ross, with Roy Stewart (Triangle) — "Film in extra good condition. A first-class picture, far superior to the old pictures of this class. Business extra good." — Levi Stevens, Bijou Theatre, Alpena, Mich.
One-Shot Ross, with Roy Stewart (Triangle) — "A photoplay that should go over big for other houses as it did for me." — Maurice Haas, Pelham Theatre, Philadelphia, Pa. — Neighborhood house.
Idolators, with Louise Glaum (Triangle) — "Picture O. K. Good business." — Maurice Haas, Pelham Theatre, Philadelphia, Pa.
Mountain Dew, with Margery Wilson (Triangle) -"A photoplay that should make money for any house." -Maurice Haas, Pelham Theatre, Philadelphia, Pa.
Polly Ann, with Bessie Love (Triangle) — "Up to the usual Triangle standard. Good business." — Maurice Haas, Pelham Theatre, Philadelphia, Pa.
The Haunted House, with Winifred Allen (Triangle)— "Very good. Business O. K." — Maurice Haas, Pelham Theatre, Philadelphia, Pa.
Flying Colors, with William Desmond (Triangle) — "Very good. Business good." — Maurice Haas, Pelham Theatre, Philadelphia, Pa. •
The Bond of Fear, with Roy Stewart (Triangle) — "A very good subject. Big business. Stewart draws as well for us as Hart." — Maurice Haas, Pelham Theatre, Philadelphia. Pa.
The Devil Dodger, with Roy Stewart (Triangle) — "Nuff sed." — Maurice Haas, Pelham Theatre, Philadelphia, Pa.
An Even Break, with Olive Thomas (Triangle) —
"Fine character study, strong plot, excellent star. Miss Thomas surely is a comer. Liked by everyone." — Carroll E. King, Johnsonia Theatre, Leesburg, O.
VITAGRAPH
The Marriage Speculation, with Mildred Manning (Vitagraph) — "A good feature." — Charles C. Baldwin, Scenic Theatre, Keene, N. H.
The Maelstrom, with Earle Williams (Vitagraph) —"Film good and audience well pleased. Played to good business." — T Walton,' Auditorium Theatre, Lockwood, Mo.
The Glory of Yolanda, with Anita Stewart (Vita