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Be Thin
Millions of people, in late years, have found it easy to reduce. Modern science has discovered a great cause of excess fat. A certain gland becomes weak. Its secretion largely affects nutrition. Its absence means that too little food turns to energy, too much goes to fat. That is why fat people became lazy — all due to that weak gland.
Since this discovery, doctors the world over have been feeding that gland factor in obesity. A like gland taken from food animals.
The results are seen in every circle. Excess fat has been fast disappearing. Now all fashions, all idea? of youth and beauty, are based on slenderness.
Marmola prescription tablets embody this right method in right form. A famous medical laboratory prepares them for this purpose. People have used them for 24 years — millions of boxes of them. Users have told others the results, and Marmola has become a major factor in conditions which you see about you — slender figures, youth, beauty and vim.
Stop the hard and harmful methods until you see what Marmola does. Combat the cause, as all modern doctors do. As weight comes down, watch your vim come back. Don't wait longer while so many are enjoying these results. Start today, and stop when you are normal.
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Ten Second Reviews
The Age For Love
Billie Dove returns to the screen — lovelier than ever, and a better actress — as a woman who wants to have both a career and a home-life. Billie enlivens an overworked story. (U. A.J
Alexander Hamilton
George Arliss takes the part of a young man — and scores his greatest triumph. He is the young hero of Colonial history whose life was filled with drama and intrigue. (YV. B.)
An American Tragedy
Theodore Dreiser's powerful novel about weak youth loses some of its force in its screen version, but should not be missed. Phillips Holmes is a bit wooden as the hero; Sylvia Sidney is very real as his victim. (Par.)
The Arizona Terror
Ken Maynard pursues— and gets pursued — all over the landscape, with the result you expect. Just another Western. (Tiffany)
Bad Girl
Vina Delmar's story of the young couple whose love was almost wrecked by parenthood becomes a moving little movie, in which Sally Eilers is the girl and James Dunn— a sensational newcomer — is the young husband. (Fox)
The Bargain
Lewis Stone changes jobs with his son (John Darrow), and each learns he has made a mistake. Interesting, but slow. (F. N.)
The Big Gamble
A racketeer makes Bill Boyd insure himself for a big sum, and then gives him a year to live. Thrills from start to finish. (RKO-Pathe)
Blonde Crazy
James Cagney and Joan Blondell team up to part the trusting from their cash, and the result is a crook picture that's both dramatic and amusing and has a courageous ending. (W. B.)
The Brat
Sally O'Neil, away from the screen two years, makes a spirited comeback as the street waif who reforms the wealthy family that adopts her. (Fox)
Business and Pleasure
A Yankee steel magnate goes abroad and has some far-fetched adventures. Not up to Will Rogers' usual standard. (Fox)
A Dangerous Affair
Jack Holt and Ralph Graves get together and treat you to a melodrama that has everything from comedy to thrills. One is a police lieutenant and the other a reporter — and they're out to solve a murder mystery. (Col.)
Daughter of the Dragon
Dr. Fit Manchu passes on, but leaves his daughter to carry out a bit of vengeance. Notable chiefly because it brings back Chinese Anna May Wong and ' Japanese Sessue Hayakawa. (Par.)
The Dreyfus Case
The most sensational treason case in modern history becomes the subject of an absorbing picture. Made in England, with Cedric Hardwicke a realistic Dreyfus. (Col.)
East of Borneo
A cast-off wife follows her physician-husband to the South Seas, and there attracts the attention of a native prince. Spectacular jungle melodrama, featuring Rose Hobart and Charles Bickford. (Univ.)
Expensive Women
Surprising the customers, Dolores Costello briefly returns to the screen as a glamorous woman of affairs. (W. B.)
Fanny Foley, Herself
Edna May Oliver as a vaudeville headliner whose two daughters are a bit ashamed of her. More heart-throbs than humor, which isn't what you expect. All in color. (RKO)
Fifty Fathoms Deep
Adventure far below sea level, with Jack Holt and Richard Cromwell involved. Unusual. (Col.)
Five-Star Final
Exposing the methods that scandal sheets sometimes use to boost their circulations. Powerful and bitter, with Edward G. Robinson convincing as an editor who swallows his conscience. (F. N.)
Friends and Lovers
Lily Damita, Adolphe Menjou, Eric von Stroheim and Laurence Olivier (a promising newcomer) try to settle that bothersome question: Is friendship between men stronger than love for a woman ? Jumbled melodrama. (RKO)
The Gay Diplomat
The old story of the intriguing adventurer, played with a bit more dash than usual by Ivan Lebedeff. (RKO)
Graft
Regis Toomey, as a cub reporter, solves a murder mystery and ends a political scandal. It moves fast. (Univ.)
The Guardsman
The most sophisticated comedy of the year, and boasting the best acting. Alfred Lunt and Lynn Fontanne, from the stage, enact the story of the jealous husband who disguised himself and made love to his own wife. (M-G-M)
Guilty Hands
Executing a "perfect" crime, Lionel Barrymore almost gets away with it. Packed with suspense, with an ending that will tear you out of your seat. (M-G-M)
Huckleberry Finn
Mark Twain's great story of boyhood suffers considerable revision, but Junior Durkin and Jackie Coogan manage to make it entertaining just the same. (Par.)
I Like Your Nerve
Douglas Fairbanks, Jr., down in Central America, kidnaps a girl who has already been kidnaped. Breezier than young Doug's usual roles — and, on the whole, disappointing. (F. N.)
Lasca of the Rio Grande
A triangle story built around a Mexican dancer, a Texas ranger, and a mucho bad Mexican. There's more local color than excitement, and only Dorothy Burgess stands out. (Univ.)
The Last Flight
Four ex-aviators try to forget the war in company with Helen Chandler. Three meet with accidents, until only Richard Barthelmess is left. It might have been an excellent study of post-war emotions if it hadn't become a melodrama. (F. N.)
The Mad Genius
Again, John Barrymore hides that romantic profile, appearing this time as a bitter, crippled dancing master who wrecks the lives of two young lovers. Sombre, but fascinating. (W. B.)
The Mad Parade
A glimpse of women in the front-line trenches, with nary a man in sight. Unusual, but unreal. Evelyn Brent, Louise Fazenda and Irene Rich top the cast. (Par.)
Merely Mary Ann
Janet Gaynor and Charles Farrell'in a little opus about a boarding-house maid-of-all-work and a struggling young composer. For those who like their movies sentimental. (Fox)
Murder at Midnight
Alice White returns to the screen in a small role in this mystery thriller, in which there are four murders — no more, no less. (Tiffany)
My Sin
Tallulah Bankhead struggles with another trite story (this time about a lady with a dance-hall past) and proves she is one of the screen's best actresses. (Par.)
Pagan Lady
As a Havana barmaid who teams up with rumrunner Charles Bickford, instead of missionary Conrad Nagel, Evelyn Brent does a potent bit of smoldering. (Col.)
Penrod and Sam
Two typical American youngsters, as imagined by Booth Tarkington and played by Leon Janney and Junior Coghlan. As human as it is humorous. (F. N.)
Personal Maid
Nancy Carroll rises above her surroundings despite the fact that she listens to her conscience. Nancy is much better than the story. (Par.)
The Phantom of Paris
Wearing a Van Dyke beard and doing all sorts of other mvsterious things, John Gilbert makes this his best talkie. (M-G-M)
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