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J.
%" x I V x 16"
16"
235
/
3/4" x |3/4"x 7'/2"
©STAGE BASE (I Required)
Va" plywood
Jto
'/4" SLOT
HOLE
m
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ro
s '
— !
m
•STAGE BASE COVER (I Required)
\%" x 23/4"xl6"
*-3/4" x 23/4" x io V
W x I W x 10 l/4',-^J'
STAGE (I Required)
16 '/2
13"
-U '/4*' HOLE
Ve PLYWOOD
IO
I '/2" R
©LIGHT ARMS (2 Required)
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VfpjUUT-nJ.'^
i. ^ .r
©TITLE BOARD
GUIDE STAGE BASE BOTTOM ( 2 Strips 14 'Ogrequired)
(I Required)
h3
1
II
to
L£
'^ PLYWOOD
"
, 7 V .
K
2"
©LEFT SIDE ( I Required)
©SIDE DOOR (I Required)
FIG. 2
©RIGHT SIDE (I Required)
BACK
(I Required)
nailed to the cover support (12), which is made from a piece of % inch white pine. The entire cover case is now fastened to the main case by means of two butt-type hinges. A suitcase-type handle is screwed to the top of the cover, and two suitcase catches are used (one on each side) to keep the cover from opening while the case is being carried. Four rubber-covered screws are fastened to the base of the case to prevent scratching.
PAINTING THE TITLER
The interior of the titler is given two coats of flat black paint so that light will not be reflected off its surface into the camera lens. The four title boards (16) are painted flat black also, and then one horizontal and one vertical line is scribed or scratched across the surface of each board to mark its exact center. The exterior may either be painted black or covered with leatherette.
USING THE PORT-A-TITLER
In using the completed Port-A-Titler, I place it on a desk or table, where the rubber feet prevent it from scratching or skidding. The side catches are released and the cover raised until it rests on the back part of the top. Wing nuts on the light arms are now loosened, and the arms are swung outward until they are at an angle of 45 degrees with the camera's line of sight. The two reflectors which are stored in the cover