Movie Makers (Jan-Dec 1952)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

298 DO YOUR OWN DEVELOPING: 2 Step by easy step, here are the exact solutions and procedures to be used in successful home processing . . . Part 2 HERBERT D. SHUMWAY, ACL WITH the simple homemade equipment described last month in Part 1 of this article, movie developing at home becomes an easy-to-do reality. Before discussing the actual step-by-step procedure, let's first examine the theory behind the particular process used for developing home movies. It differs from the conventional negative-positive system used theatrically. THE REVERSAL PROCESS That particular process, known as the "reversal process," is so called because in developing home movie film we seemingly reverse a negative image into a positive image. What we actually do is to form a negative image first by developing the movie film in a specially compounded developer. Then, since we do not want a negative picture for projection, we next remove all the developed silver grains which form the negative by placing the film in a bleaching solution. After removal of the film from the bleach, all that remains of the emulsion is the unexposed — and consequently undeveloped — silver bromide. This silver bromide, which is still light sensitive, varies in density according to the gradations of light and shadow in the subject photographed. If we now re-expose the film to any bright white light and then redevelop the film, a positive image of the original subject will result. Briefly stated, this forms FIG. 9: Exact temperature of the developer, critically important in first run-through, is determined by thermometer. the basic principle upon which the reversal process works. THE SOLUTIONS USED With this outline of the reversal process fixed in your mind, let's turn now to a study of the five solutions required for reversal developing. Fortunately nearly all the necessary chemicals are available in ready-mixed, prepackaged form, so that all you need do is to dissolve each chemical in water according to the directions on its package. Moreover, all the solutions have excellent keeping qualities, so that they will need replacing only once in every two or three months unless, of course, they are MOVIE DEVELOPMENT TIME-TEMPERATURE CHART 78 i N— >v v. ^ V \. >s i H ^^^^ ""*** "*%,. "X — i 1 i ■ 5 i 1 t mmm s DEVELOPMENT (MINUTES) FIG. 10: Time of development in minutes is found by running across correct horizontal temperature line to point of its intersection by the diagonal. FIG. 11: Winding stand speeds film loading on rack, an operation which must be done in dark.