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Outstanding scenes enlarged from readers' films, presented periodically by MOVIE MAKERS
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A PLEASING PATTERN enlivens this closeup from Under the Florida Sun, by Arthur Gross, ACL, of Brooklyn.
A WINSOME WINNER is this tiny tot from School Days, produced by Helen C. Welsh, ACL, of Albany.
CROSS LIGHTING lends contrast to this palm tree pattern filmed by J. L. Watson, ACL, of Worcester, Mass.
JOHN H. HEFELE, ACL, of Yonkers, N. Y., used a telephoto lens to limit the depth in this study of roses.
HARRY GROEDEL, ACL, New York City, used an up angle for a sky backdrop in Andalusian Adventures.
ROY C. WILCOX, ACL, of Meriden, Conn., used a down angle on this closeup of a venomous copperhead
A DIAGONAL PATTERN makes this attractive closeup composition by Harlan Rupp, ACL, Hamburg, N. Y.
WILLIAM PETTY, Lake Placid, N. Y., needed a reflector to lighten shadows in shot from Winter Carnival.
CHARLES HOOKER, High Point, N. J., used a reflector to lighten the shadows in Adirondack Idyll.
FIVE DOLLARS will be paid by Movie Makers to the producer of the finest of the Fine Frames published on this page in_ any single issue. All readers are cordially invited to submit frames for reproduction here, on either 8 or 16mm. film.
Submission on 8mm. should be in strips of 10 frames or more, on 16 in strips of 5 frames or more. Please mark each entry with your name and the name of the film from which it comes. Address entries to Movie Makers, 420 Lexington, N. Y. 17.