Movie Makers (Jan-Dec 1953)

134 MAY 1953 Classified adve rt isi n g 10 Cents a Word Minimum Charge $2 ■ Words in capitals, except first word and name, 5 cents extra. ■ Cash required with order. The closing date for the receipt of copy is the tenth of the month preceding issue. EQUIPMENT FOR SALE ■ BASS . . . Chicago. Cinema headquarters for 43 years offers money saving buys in guaranteed used equipment. Cine Special, 4 lens turret, C mt., \" f/lA Ektar, 4" //2.5 Cooke Panchrotal, 0.7" //2.5 Comat w.a., 6" //4.5 Cooke, optical view finder, 2 extra 100 ft. chambers, deluxe comb case, 32768.00 value for 31475.00. Cine Special I, single sprocket, image reflex finder, 1" f/1.9, 6" //4.5, 15mm. //2.7, comb, case, S1200.00 value for $499.50. B & H 70DE, hand crank and rewind, 1" //1.4 Cooke Ivotal, deluxe comb, case, S345.00. Victor V, l"//2.7 Cooke foe. mt., 2" //3.5 Wollensak, S147.50. H-16 Standard Bolex, 1" //1.4 Biotar, 2" //3 5 Cooke, 3" //2.5 Wollensak, 3550.00 value for S325.00. Best buys . . . Best trades always. BASS CAMERA CO., Dept. CC, 179 W. Madison St., Chicago 2, 111. B SHOOT YOUR OWN perfectly centered titles with any movie camera by using Bull's Eye Camera Centering System. Complete kit, $2.95 postpaid. Satisfaction guaranteed. BULL'S EYE PHOTO PRODUCTS, Box 8174 Plaza Station, Kansas City, Missouri. ■ SOUND PROJECTORS as low as S90.00, silent projectors as low as $22.50. Film bargains, silent and sound. We buy, exchange, equipment and films. Free lists; mention MM. FRANK LANE, 5 Little Bldg., Boston, Mass. ■ PROCESSING machine, used one year, has 2000 ft. magazine. Day-light operating. Designed for reversal processing. GEO. E. CANNING, 381-8 Leybourne Ave., Toledo 12, Ohio. B SAVE on EK color movie film, fresh in date, orig. factory pack, includes processing; 16mm. roll 100' $8.55; 16mm. mag. 50' $5 85; 8mm. roll 25' dble $3.25; 8mm. mag. 25' dble $3.85; day. or tung., include postage. KRAMER'S, 100 Post Rd., Larchmont, N. Y. FILMS FOR RENTAL OR SALE ■ NATURAL COLOR SLIDES, Scenic, National Parks; Cities, Animals, Flowers, etc. Sets of eight, $1.95; Sample & list, 25?. SLIDES, Box 206, La Habra, Calif. MISCELLANEOUS ■ KODACHROME DUPLICATES: 8mm. or 16mm., 11< per foot. Immediate service on mail orders. HOLLYWOOD 16MM. INDUSTRIES, Inc., 6060 Hollywood Blvd., Hollywood 28, Calif. B SOUND RECORDING at a reasonable cost. High fidelity 16 or 35. Quality guaranteed. Complete studio anci laboratory services. Color printing and lacquer costing. ESCAR MOTION PICTURE SERVICE, Inc., 7315 Carnegie Ave., Cleveland 3, Ohio. Phone: Endicott 1-2707. B 8mm. HOLLYWOOD TITLE STUDIO 16mm. Complete titling service. Color and black and white. SPECIAL DISCOUNT TO AMATEUR CINEMA LEACUE MEMBERS. Send 10? for Price List and Sample. Address: 1060 North Vista Street, Hollywood 46, Calif. B TECHNI-CALS. Over 300 markings for photo equipment, darkroom, and titles. New type permanent decals. Send $1.50 to ANDREW J. MOTT, 439 N. Van Ness, Los Angeles 4, Calif. B MOVIE OR SLIDE TITLES with that Professional touch at low prices. Large variety backgrounds and letter styles. 8mm, 16mm, 35mm slides, Kodachrome, B&W THOMSEN TITLES, 14 Roslyn Court, Oakland 18, Calif. B 16MM B&W PANCHROMATIC FILM. ASA 50. Fully guaranteed. 50 ft. loads for your magazines, $1.65; 3 for $4.75. 50 ft. on camera spools, $1.75; 3 for $5.00. 100 ft. on camera spools, $3.65; 3 for 310.45. Includes precision processing and return. 48 hi. service. WESTERN CINE SERVICE, 114 East 8th Ave., Denver 3, Colorado. WHAT are the pictures in THE TOP OF THE TEN BEST? See the inside front cover for ACL's exciting new Film Feature! found disturbing. Further, any variation in arc brillance between the two projectors results in the same effect. A similar distraction occurs as a result of film scratches and slight emulsion imperfections (speckles) which usually go unnoticed in standard movies. Since these are observed by only one eye at a time, they call attention repeatedly to the mechanics of the illusion and thereby tend to destroy the effect. And, since two films are used, the frequency of these flaws is twice what it would be with one film. The polarizing glasses themselves are a nuisance. Two possibilities for their distribution have been tried. Natural Vision (Bwana Devil) gives each person an expendable pair in a cardboard frame; these the patron may throw away or take home for his children to play with. (They cannot be used for sun glasses, incidentally, because the polarizing axes are at the wrong angle.) However, the cardboard frames do not fit well, and they create an almost insurmountable problem for patrons who normally wear glasses. Stereo Techniques issues returnable glasses with plastic frames, which (it says here) are sterilized in a germicidal solution before being re-used. These are more comfortable to wear, and some even fit over ordinary glasses ; but since many patrons try to clean the plastic lenses with their handkerchiefs, most of the glasses become badly scratched after being used a few times. Even if one gets an unscratched and comfortable pair, however, there still are problems. The glasses must be worn straight and the head must not be tipped sidewise or the viewer will see two images with each eye. One of the pairs I had was imperfect and, even though they were worn straight, the left lens admitted a dim ghost image of the right eye picture in addition to the full strength picture for the left eye. Since the ghost image was dark blue, this effect was more pronounced with black and white films than with color. Finally, because both theatre projectors are used at the same time, stereo movies cannot be shown continuously. With standard reel housings, the program must be interrupted several times to permit reel changes. This, of course, could be overcome by using extra large reels and housings (or two additional projectors) . Given time, some of the other shortcomings of stereo movies probably can be improved; but whether they can be eliminated entirely is doubtful. And, unless they are, I personally can see no bright commercial future for stereocinematography. Although people stood in line to see Bwana Devil, and attendance at Detroit's Telenews Theatre has tripled since stereo shorts were added to the program, it must be remembered that the technique is still a novelty. Once the public curiosity has been satisfied, however, my guess is that people will no longer be lured by 3-D productions. They are just plain uncomfortable to watch. Hollywood, in my book, is betting a lot of money on the wrong horse. "This sceptred isle" [Continued from page 123] residence of the Queen when the court is at Edinburgh. The palace, which is open to the public except when the court is there, was built during the Sixteenth Century. Scotland has a great deal to offer as material for your movie — towns, villages, mountains and lakes — but I have room to mention only one more place. Another royal castle, Balmoral, lies in typically Scottish scenery, surrounded by mountains and rich fir stands through which herds of highland cattle graze. It is a country home of the Queen and the royal family where they enjoy their vacation after the busy London season ends in the month of August. One last word. Remember that people are as important as places. Don't be content with scenic shots only, but include plenty of the British folk, so that the movie will be a living record of your visit. Conventions [Continued from page 129] well to check with him on interior lighting. He may have arranged for spotlights on the rostrum, and would not mind your shooting with him, as long as you did not interfere with his work. In many conventions, the really big event is the presidential campaign. The banners are hung early, and the electioneering goes on day and night. Try to get shots in state caucus rooms, in the hospitality rooms, and in campaign headquarters. Get closeups of the leading candidates and of their campaign ers, decorated with buttons and wearing special costumes. Get footage of each presidential candidate being nominated, then the demonstration as he is carried around the auditorium on the shoulders of his supporters, followed by the state delegations who are on his bandwagon. In particular, get shots of your own state delegation. And finally, get the dramatic moment, if there is one, when the losing candidate steps to the rostrum, concedes to his worthy opponent, and the winner is given the gavel of authority. If the convention includes a street parade, select a vantage point well in advance. You should check for viewpoint, crowd interference, sun direction, absence of shadow patterns — and a safe perch. For it is impossible to make good