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MO^'IE MAK.EIKS
Camera Devices:
Betrayal °56
Broadway ='"
Cinematics; .„,
Alibi 382
Broadway \\°.
Lady, Tlie «■»
93
Iron Mask, The 29,
Masks Of The D„vil On With The Show . Of The Fathers
606
233
feiling The World .■ \lf
Ten Days That Shook The W orld .... J864 Unholy Ntght "81
Wt
The
397
Wild Orchids . . . Closeups :
Joan Of Arc
Thunderbolt
Color Photography: On With The Sho.
Viking, The
Composition:
Noah's .'Irk
Thunder
Continuity:
Broadway ..,
Bulldog Drummond "°
Four Feathers ?^°
Night Watch, The 156
Cutting: ,.„
Not Quite Decent ""
Sins Of The Fathers '■'^
Dissolves: _ ,j^
Night Watch, Tlie Not Quite Decent Double Exposure:
Night Watch, TJte Economy:
loan Of .ire
Effective Introduction: Bulldog Drummond
Letter, The
Focus Effects: , . „ ^, coo
Bridge Of San Luis Rey, The .M2
Gentlemen Of The Press '1-+
Foreground Silhouettes:
Woman Disputed, The »t>4
Lighting:
Bulldog Drummond
Iron .Mask, The ■
Madonna Of The Slee-pmg C. Models And Miniatures:
Bridge Of San Luis Rey. The 582
Frozen Justice "»!"
Night Watch, The 156
NoaUs Ark 292
Moving Camera: ,g^
Alibi c , ^
Broadway ,. ,
Gentlemen Of The Press 7M
Letter, The • -H".
Night Watch, The
-■ -• -■ ■• -r,
156
516
540
656
. 656
292
D812
Of The 'Fathers 2^
Street Of Illusion^ The
J864
Idea
93
D812
397
Only Me
River, The
Uneasy Money,
Newsreel Inserts:
Rasfutin •
Optical Printing:
College Love "^*
Photography:
Four Feathers "6
Unholy Night U»12
Wild Orchids
Sets And Costumes:
Iron .Mask, Tlie
Shadows :
Bulldog Drummond
Simple Prisms:
Bridge Of San Luis Rey, The Slow Motion:
Bridge Of San Luis Rey, The Short Filming:
Fast Company
Stereoscopic Effects:
Woman Disputed, The
Symbolism: . , „^ .
Ten Days That Shook The World 864
River, The ^^^
Tempo:
Thunderbolt ''•*
656
D812 . 864
Wi
Noah's Ark
DOUBLE EXPOSURE:
Color Double Exposure
Split Screen Illusions EDITING:
Cutting The High Spot!
Editing Hints
292
149
108
, . . J845,
77, 147, 215, 285, 361, 437, 503, 565, 635. 701, 783. EDUCATIONAL:
Bringing Music To Life 449
Curing Fear With Film J}^
Educational Films Department J 8.^/.
110, 178, 246, 316, 375, 460, 512, 594, 662. 728. 795. „,
Film And The Fleeting Art ^/i
Forward With Medical Films 643
Minister As Movie Maker, A 376
Movies Win For Welding, The )60
Press Turns To The Film, The 84
Recreation Annexes The Movies 306
20th Century Pilgrim's Progress, A 442
Photoplay and Filn
450 220
EXPOSURE:
Color Double Exposure 524
How To Govern Exposure 641
Making Your Movies Better 220
Reflections In Green And White 392
Watch Your Stop 640
Featured Releases .„„ -^„' Ao
74 144. 210. 346. 356 432. 498. =60. 628 696. 772. FICTION: , ,
Mr. Peeble's "Perduction MS
One Eyed Witness \bi
Seeing Is Selling Film Story Productioi Story Production. FILTERS:
Dress 'Em Up Function Of The Filter. Thi FOCUSING: Fuzzy Wuzzy
Making Your Movies Bett« HISTORY: _
Oblivion Is Conquered £°=
What Has He Done With It? /8/
HUMOR:
Amateur Usherography ^J"
Decalogue For Cinemists 30-5
Film Flam .18/4.
92 153 240, 298, 370, 456. 508, 576. 645. 708, 798.
Screen Test, The 38+
INDUSTRIAL:
Amateur Industrial Films '"o
Dramatising Industrials Ci't
Extending The Field (Clinic Note) ^ii-!.
LABORATORY WORK:
Home Developing And Printmg 16S
LENSES: .„
Fuzzy Wuzzy . . ._ _ ■ • ■ • 4=0
Knowing \ our Camera s Eye 703, D»Ob
LIGHTING: ■ „,
Before Shooting — Reflect J"
Control Of Light And Shade . . 651
Light On The Subject 304, 367
Making Your Movies Better 220
Variety In Lighting 154
MASKS:
Up
172
MODELS. ^, , ,£,,
How I Became A Trick Photographer ... 296
Miniatures And Models 3/4
Simple Snow Miniature, A 441
News Of The Industry ■ ■ J886,
126 194. 254, 332, 408, 480. 542, 610, 678. 752'. D834.
PHILOSOPHY:
Blue Book For Posterity, A DSU2
Getting Down To Brass Tacks 371
Professional Standards -93
Pure Or Synthetic? 380
When Punch Was An Amateur /24
PHOTOPLAY AND FILM
STORY PRODUCTION:
Acting Versus Naturalness 385
Amateurs Point The Way 5"
Art Of Direction, The 234
Bossing The Job jOj
Cinematricks Of Comic Hats . . 4_44
" mo', "l58, 228, 300, 372, 446, 520.588 652, 716, 796.
Club Index Of 1928, Amateur J891
Comedy Relief 86
Dramatising Industrials 'JJt
pixing J „?
Grand Idea, The
Helping Hands
Here Are The Winners
How To Make Silk Purses . Lesson Of Poverty Row, The
.Masking Your Movies . oao
My First Year -In The Movies 466
Outdoor Interiors For Amateur Movies. 452
Paradox Of The Photoplay, A . J866
Photoplays Of 1928, A)
. 506 . 734 JS60
Poii Props
On Planning 6++
[.'.'.'.WW 710
Simplifying Direction
Slowly •=;;
Telling A Film Story .1849
Tools Of Their Art, The 853
Treasure Shores 720
Versatile Scenarios : • ■■ /°°
When Headliners Hit It Up 18=2
Wholesale Portraiture 224
Why A Continuity ? 1°4
Why Films Go Wrong 287
You'll Find The \Vorld On Main Street.. 236
Photoplayfare J865.
89, 152, 232, 293, 383, 455, 517, 583, 660. 732, D808. PROJECTION: _
Pointers On Projection ■ /1»
More Projection Pointers ■ /94
REFLECTORS:
Before Shooting — Reflect :i83
Control Of Light .And Shade 60I
Rhythm In Motion 299
SCENARIOS: .^,
Call, The l^,'.
Ferry Tale, A O*;^
Hope Springs Eternal
Marriage Branch, The
Musical Shoes "
Resolved J?Jf
Ruse And The Ring 366
Those Good Old Days ... 642
Three Muses. The 448
318
RAMSTEIN
OPTOCHROME
FILTERS
WHY take the fine edge off of a good lens by using inferior filters. INSIST on the original patented graduated sky filter. Look for the name R.4M.STEIN engraved on each filter.
Ramstein graduated sky-filters bring out the clouds in your pictures — no additional exposure unless the filter is used with the yellow portion entirely covering the lens. A graduated sky-filter, from yellow to white, made of optical glass ground and polished like your finest lens — contains no gelatine or cement. Supplied in adjustable spring holders as illustrated or in slip-over holders.
The color in these filters gives the maximum correction with the minimum exposure and is obtained by a secret formula that has never been successfully imitated.
Catalog describes graduated filters as well as the Simplex Filter Sets made of the same optical glass that has made the Ramstein graduated filters famous.
Sole A^ent
BURLEIGH BROOKS
136 Liberty St., New York City
SCENIC FILMING:
Reflections In Green And White 392
Titling Your Scenics ... 709
STILL PICTURES:
Pictures Versus Photographs 217
Still. Movie Or Both 104
T.ALKIES:
Drawing Room Talkies 294
Fuzzies? (Critical Focusing Notes) .... 454
How Talkies Are Made 443
Illustrating Songs 290
Making Talkies -At Home 151
TELEPHOTO WORK:
Closeup Telephotography . . 81
Filming Football 637
TITLE WORK:
Lively Titling 242
Moving Titles For Movies . . =74
Tips On Titling D804
Titling On Location 161
Titling Your Scenics 709
TRAVEL: .,
Forensic Filmers 96
Movie Making In Mexico 226
Scandinavian Cinematics 79
Shooting In Shanghai i''
TRICK CINEMATOGRAPHY:
Amateur Takes Leadership, The J847
Cine Illusions ■'°8, 437
Color Double Exposure _^ =24
How I Became A Trick Photographer ... . 296
Prism Performance 1*2
Split Screen Illusions '*''
VERSE: , ...
Master Of The Show. Tlie 440
Roast Goose . .163
845