Movie Makers (Jan-Dec 1929)

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MO^'IE MAK.EIKS Camera Devices: Betrayal °56 Broadway ='" Cinematics; .„, Alibi 382 Broadway \\°. Lady, Tlie «■» 93 Iron Mask, The 29, Masks Of The D„vil On With The Show . Of The Fathers 606 233 feiling The World .■ \lf Ten Days That Shook The W orld .... J864 Unholy Ntght "81 Wt The 397 Wild Orchids . . . Closeups : Joan Of Arc Thunderbolt Color Photography: On With The Sho. Viking, The Composition: Noah's .'Irk Thunder Continuity: Broadway .., Bulldog Drummond "° Four Feathers ?^° Night Watch, The 156 Cutting: ,.„ Not Quite Decent "" Sins Of The Fathers '■'^ Dissolves: _ ,j^ Night Watch, Tlie Not Quite Decent Double Exposure: Night Watch, TJte Economy: loan Of .ire Effective Introduction: Bulldog Drummond Letter, The Focus Effects: , . „ ^, coo Bridge Of San Luis Rey, The .M2 Gentlemen Of The Press '1-+ Foreground Silhouettes: Woman Disputed, The »t>4 Lighting: Bulldog Drummond Iron .Mask, The ■ Madonna Of The Slee-pmg C. Models And Miniatures: Bridge Of San Luis Rey. The 582 Frozen Justice "»!" Night Watch, The 156 NoaUs Ark 292 Moving Camera: ,g^ Alibi c , ^ Broadway ,. , Gentlemen Of The Press 7M Letter, The • -H". Night Watch, The -■ -• -■ ■• -r, 156 516 540 656 . 656 292 D812 Of The 'Fathers 2^ Street Of Illusion^ The J864 Idea 93 D812 397 Only Me River, The Uneasy Money, Newsreel Inserts: Rasfutin • Optical Printing: College Love "^* Photography: Four Feathers "6 Unholy Night U»12 Wild Orchids Sets And Costumes: Iron .Mask, Tlie Shadows : Bulldog Drummond Simple Prisms: Bridge Of San Luis Rey, The Slow Motion: Bridge Of San Luis Rey, The Short Filming: Fast Company Stereoscopic Effects: Woman Disputed, The Symbolism: . , „^ . Ten Days That Shook The World 864 River, The ^^^ Tempo: Thunderbolt ''•* 656 D812 . 864 Wi Noah's Ark DOUBLE EXPOSURE: Color Double Exposure Split Screen Illusions EDITING: Cutting The High Spot! Editing Hints 292 149 108 , . . J845, 77, 147, 215, 285, 361, 437, 503, 565, 635. 701, 783. EDUCATIONAL: Bringing Music To Life 449 Curing Fear With Film J}^ Educational Films Department J 8.^/. 110, 178, 246, 316, 375, 460, 512, 594, 662. 728. 795. „, Film And The Fleeting Art ^/i Forward With Medical Films 643 Minister As Movie Maker, A 376 Movies Win For Welding, The )60 Press Turns To The Film, The 84 Recreation Annexes The Movies 306 20th Century Pilgrim's Progress, A 442 Photoplay and Filn 450 220 EXPOSURE: Color Double Exposure 524 How To Govern Exposure 641 Making Your Movies Better 220 Reflections In Green And White 392 Watch Your Stop 640 Featured Releases .„„ -^„' Ao 74 144. 210. 346. 356 432. 498. =60. 628 696. 772. FICTION: , , Mr. Peeble's "Perduction MS One Eyed Witness \bi Seeing Is Selling Film Story Productioi Story Production. FILTERS: Dress 'Em Up Function Of The Filter. Thi FOCUSING: Fuzzy Wuzzy Making Your Movies Bett« HISTORY: _ Oblivion Is Conquered £°= What Has He Done With It? /8/ HUMOR: Amateur Usherography ^J" Decalogue For Cinemists 30-5 Film Flam .18/4. 92 153 240, 298, 370, 456. 508, 576. 645. 708, 798. Screen Test, The 38+ INDUSTRIAL: Amateur Industrial Films '"o Dramatising Industrials Ci't Extending The Field (Clinic Note) ^ii-!. LABORATORY WORK: Home Developing And Printmg 16S LENSES: .„ Fuzzy Wuzzy . . ._ _ ■ • ■ • 4=0 Knowing \ our Camera s Eye 703, D»Ob LIGHTING: ■ „, Before Shooting — Reflect J" Control Of Light And Shade . . 651 Light On The Subject 304, 367 Making Your Movies Better 220 Variety In Lighting 154 MASKS: Up 172 MODELS. ^, , ,£,, How I Became A Trick Photographer ... 296 Miniatures And Models 3/4 Simple Snow Miniature, A 441 News Of The Industry ■ ■ J886, 126 194. 254, 332, 408, 480. 542, 610, 678. 752'. D834. PHILOSOPHY: Blue Book For Posterity, A DSU2 Getting Down To Brass Tacks 371 Professional Standards -93 Pure Or Synthetic? 380 When Punch Was An Amateur /24 PHOTOPLAY AND FILM STORY PRODUCTION: Acting Versus Naturalness 385 Amateurs Point The Way 5" Art Of Direction, The 234 Bossing The Job jOj Cinematricks Of Comic Hats . . 4_44 " mo', "l58, 228, 300, 372, 446, 520.588 652, 716, 796. Club Index Of 1928, Amateur J891 Comedy Relief 86 Dramatising Industrials 'JJt pixing J „? Grand Idea, The Helping Hands Here Are The Winners How To Make Silk Purses . Lesson Of Poverty Row, The .Masking Your Movies . oao My First Year -In The Movies 466 Outdoor Interiors For Amateur Movies. 452 Paradox Of The Photoplay, A . J866 Photoplays Of 1928, A) . 506 . 734 JS60 Poii Props On Planning 6++ [.'.'.'.WW 710 Simplifying Direction Slowly •=;; Telling A Film Story .1849 Tools Of Their Art, The 853 Treasure Shores 720 Versatile Scenarios : • ■■ /°° When Headliners Hit It Up 18=2 Wholesale Portraiture 224 Why A Continuity ? 1°4 Why Films Go Wrong 287 You'll Find The \Vorld On Main Street.. 236 Photoplayfare J865. 89, 152, 232, 293, 383, 455, 517, 583, 660. 732, D808. PROJECTION: _ Pointers On Projection ■ /1» More Projection Pointers ■ /94 REFLECTORS: Before Shooting — Reflect :i83 Control Of Light .And Shade 60I Rhythm In Motion 299 SCENARIOS: .^, Call, The l^,'. Ferry Tale, A O*;^ Hope Springs Eternal Marriage Branch, The Musical Shoes " Resolved J?Jf Ruse And The Ring 366 Those Good Old Days ... 642 Three Muses. The 448 318 RAMSTEIN OPTOCHROME FILTERS WHY take the fine edge off of a good lens by using inferior filters. INSIST on the original patented graduated sky filter. Look for the name R.4M.STEIN engraved on each filter. Ramstein graduated sky-filters bring out the clouds in your pictures — no additional exposure unless the filter is used with the yellow portion entirely covering the lens. A graduated sky-filter, from yellow to white, made of optical glass ground and polished like your finest lens — contains no gelatine or cement. Supplied in adjustable spring holders as illustrated or in slip-over holders. The color in these filters gives the maximum correction with the minimum exposure and is obtained by a secret formula that has never been successfully imitated. Catalog describes graduated filters as well as the Simplex Filter Sets made of the same optical glass that has made the Ramstein graduated filters famous. Sole A^ent BURLEIGH BROOKS 136 Liberty St., New York City SCENIC FILMING: Reflections In Green And White 392 Titling Your Scenics ... 709 STILL PICTURES: Pictures Versus Photographs 217 Still. Movie Or Both 104 T.ALKIES: Drawing Room Talkies 294 Fuzzies? (Critical Focusing Notes) .... 454 How Talkies Are Made 443 Illustrating Songs 290 Making Talkies -At Home 151 TELEPHOTO WORK: Closeup Telephotography . . 81 Filming Football 637 TITLE WORK: Lively Titling 242 Moving Titles For Movies . . =74 Tips On Titling D804 Titling On Location 161 Titling Your Scenics 709 TRAVEL: ., Forensic Filmers 96 Movie Making In Mexico 226 Scandinavian Cinematics 79 Shooting In Shanghai i'' TRICK CINEMATOGRAPHY: Amateur Takes Leadership, The J847 Cine Illusions ■'°8, 437 Color Double Exposure _^ =24 How I Became A Trick Photographer ... . 296 Prism Performance 1*2 Split Screen Illusions '*'' VERSE: , ... Master Of The Show. Tlie 440 Roast Goose . .163 845