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A PICTURE of a different sort, yet fully as strong in its appeal to all classes of patrons, is "The Pointing Finger," the story of an orphan girl who, under stigma, leaves the dreary orphanage and has to disguise her beauty to make a living. MacLaren personality dominates this genuinely human little drama. Play it with the assurance that the market offers nothing cleaner or finer.
DIRECTED BY EDWARD KULL
<<T'HIS is the best picture Universal has given us in a long time," writes Genevieve Harris in the Chicago Evening Post. "A human picture that should suit almost any crowd," says Wid's, who further declares, "in houses whose audiences are composed largely of working girls, they're going to have 'the grandest little weep ever'." Embodying the world-wide prestige of Fannie Hurst, the author, with the poignant personality of its star, "The Petal on the Current" is a production no exhibitor can possibly afford to overlook. DIRECTED BY TOD BROWNING
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